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scrumptiousstuffs · 1 year ago

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Only Friends, Episode 6 - Happy F@#king birthday

In which we see Ray’s self-combust while leaving a trail of destruction, Sand showing his darker side, Ton continues to be an arsehole and Mew finally knows the truth

Sand

This episode more than anything depicts how complex human nature can be. Sand (who so far has been shown as someone with integrity) reached a breaking point. We know he is street smart, cares for his mom, and has basically fallen for Ray. We also know to some extent he cares for Nick. But the recent revelations of Ton/Top shenanigans, followed by Ton’s outing Ray on the latter’s feelings about Mew on his birthday plus Ray’s ambiguous comments about their relationship (not that I blame Ray or Sand specifically - the latter never made it clear he wanted more and the former is still hung up on Mew) have made Sand at edge. And then we have Sand deliciously tense confrontation with Top in hospital, where we sees while Top may have changed for Mew but remains arrogant to everyone else, and as per Sand “a prick.” With Top reminding Sand where he sits at the ladder (the bottom), it’s truly a sight to see Sand being calculative (but also in my personal opinion, it’s his way to make sure Ray/Nick being cut off from Ton (plus Top) because they are arseholes) - deliberately destroying his phone (when he doesn’t have lots of cash to begin with), manipulating Nick AND Ray to set off a catastrophic cascade of effects with the latter’s alcohol/substance abuse(s) playing a huge role on what truly was an explosive scene during Mew’s party.

Nevertheless, we sees his caring nature comes into play again. Sand was the only one out of everyone in the party to come after Ray, and despite Ray continuos lashing on Sand (the former trying to physically and emotionally pushing the latter away), he still chased after Ray, worried that the latter will hurt himself with his drunk driving.

Ray

My disaster muffin 😩😫….despite his many flaws, Ray at baseline is an honest person. We know he loves/cherish his friendship with Mew. And I truly believes he is starting to like Sand (also slowly growing to trust and loves him too. At the very least, Sand is the first person outside Mew who treats him more than an inconvenient and seems to truly care for him).

Yes, Ray is immature, but he only really acted whenever he perceived (or being manipulated) to think Mew is in danger. He kissed Mew impulsively when Ton suggested Top is only interested in playing around with Mew. And when he tries moving on, Ton again brought up his feelings for Mew. Even then, he didn’t act out (just giving death stares to Ton in class and during their hangouts), until Sand calculatively informed him of Top/Ton transgression. Again rather than telling Mew straight up, he confronted Ton first (unfortunately hot-headedly), which makes it easy for Ton to control the narratives by playing on Ray’s insecurities and emotions - accusing Ray of wanting Mew/Top to break up so that he can play a hero (which again I don’t think it’s true - I feel Mew has made it abundantly clear Ray will only be a cherished bestie and Ray accepted it - with sadness but he does!), but for Ton to keep putting salt on the wounds, it’s upsetting to see on Ray’s part.

I am not surprised with how Ray self-destruct during Mew’s party. He has suppressed his views and feelings for so long - Ton keeps making snide remarks, Cheum despite being kind and cheerful (as a default mode) has also always thought of him as a drunken fool, Top with his smug “I win” face, and even Mew whose automatic mode whenever he sees Ray is to mother him (thinking that he is either drunk or doing hard drugs, which although comes from a good place doesn’t really help Ray’s fragile self-esteem). And so, when you include Ray’s medicating himself with alcohol (and maybe drugs) into the equation - his inhibitions have gone out of the window. What he actually said during his drunken mess is NOT wrong (except his accusation on Sand being a gold digger - but even then, remember - their relationship started of as transactional and so, it’s easy for Ray to turn on default mode and lash out on Sand) - but the way he said it and timing of all it, well…we saw the trail of destructions he left in his wake.

His relationship with Sand took a setback this episode. Sand never made it clear what he wanted from Ray (from an outsider POV, it’s clear he wants more; even Sand’s wise mom could see it. But Sand is wary, probably a combo of his last broken relationship, destroyed by Top and Ray himself declaring multiple times they are “just friends”). Ray at least has told up front he thinks Sand as friends with benefits. The only point he has never told Sand (before the end of last episode) was his unrequited feelings for Mew. And it’s not something Ray needed to tell Sand. It’s personal and they are still at the stage of just getting to know each other. Anyway, I am in dire need for my sweet SandRay vibes back 😩😫 (and from next week preview, I’m hopefully going to get my wish)

(On the side note, Khaotung beautifully portrayed a broken, alcoholic mess. People with drug/alcohol addictions often hurt and lashed out on their family and friends. They also turn into the worst versions of themselves. So, while I’m still hurting from this episode, I am in awe with Khaotung’s acting 👌)

Boston

Ton continues to be unredeemable for me. He is unrepentant, selfish and unscrupulous. The way he manipulates Ray and Nick is masterful (definitely a politician son, and also the way his dad is proud of Ton’s many one night stands???, let just say I can see why Ton is the way he is!) - the way he spitefully jabbed on Ray when the latter confronts him regarding the whole Top/Ton situation to the way he playfully (and seductively) placates Nick when the latter attempts to firstly confronts his terrible behaviour in outing Ray/Mew in front of Sand (even then he blames the weed cookie rather than himself) and secondly when Nick found out Ton is likely going to move to New York after university.

He is also hypocritical. He doesn’t like being filmed without consent (fair enough, nobody should be filmed/photographed without consent). But for him to say it when he has been doing the exact same thing all this time…urgh, what an arsehole.

And to the end he remains consistent with his personality - not a hint of remorse when Ray drunkenly tried to expose him. Nor a shred of guilt when Nick tried to show solidarity with Ton by embracing him. Just Ton pushing Nick away (which tells you so much about who is in Ton’s mind - HIMSELF)

This is the one character I am hoping karma will come and hunt him!

(I despise him as a character but Neo as Ton is delicious to see. You can tell Neo has fun playing a despicable villain as a change from his usual roles. So, kudos to him and I hope we can see more of him in 2024, sinking into more meaty roles!)

Nick

Everytime I see him on screen, I winced. Ton has him in hook and reads him like a book. It doesn’t help Nick loves Ton and despite knowing Ton’s callous nature, Nick accepts this, making leeway to Ton’s behaviours. I want him to learn he is worth more than Ton because for now, he is moulding himself to make sure Ton never lose interest in him (and if that means ignoring all the red flags 🚩 that are waving madly in front of him, then so be it 😣). From what we see in the trailer, he breaks down in front of Sand with Sand reiterating what an arsehole Ton is (I assumed it may be related to Nick confirming Sand stole the video recording as we Nick clueing on it when he got back his phone). We see time after time, other people (Top, Ray and even Ton himself) also warning Nick about Ton. But love is truly blind, and I wonder what will be the breaking point for Nick - the one that will finally make him break free off Ton (maybe it’s Papang’s character?)

Top

In my opinion, he truly likes Mew (not sure about love yet, but they are getting there). He is trying hard to change - in his own word “a better version of himself.” The problem is, he is only a better version FOR Mew. I can see why Mew falls for him - he is sweet, attentive and basically the perfect gentleman/boyfriend that any person can ask for. However, as we can see, other than Mew - Top is just his usual self, arrogant and used to getting his own ways. He is dismissive towards Ray (and forever lording on the fact he won Mew, like Mew is a prize rather than an individual). Similarly, he belittles Sand (Top is never going to be a person who apologises except to Mew), again emphasising how he always gets what he wants, reminding Sand where he stands in the pecking order. He loathes Boston (fair enough) and in my opinion, he only tolerates Namchuen/April because the girls are not a threat to him (and his relationship with Mew).

He is also a coward. He kept silent about the Top/Ton situation, thinking it’s never gonna come to light (again he didn’t apologise about thinking Ray/Mew had a sexual relationship, which as far I am concerned even if they did it was 2 yrs ago). So, when Mew played him at the end, all I can say is - FINALLY (and even then he initially tried to say him sleeping with Ton was only before TopMew is a thing?? until Mew pressed him, exposing that he knew Top slept again more recently).

Mew

Which brings me to sweet Mew. I have always thought there is more to Mew than meets the eyes. Yes, he is inexperienced in some ways, but he is observant, well- adjusted and intelligent. Him being brought up by loving lesbian couple 🥳😘. And him knowing he doesn’t need to have a bf to feel fulfill cause he knows he can get love from his friends and moms. And so, for him, Top is someone he chose consciously as a partner.

I also love the analogy the screenwriters/directors took with the whole TopMew sensory deprivation dates we had so far (laser tag - touch, silent DJ - hearing, blind date - sight). I perceived it as Mew seeing Top in rose-tinted glasses (during their getting to know each other phase) until he finally got laser treatment this episode (such an irony it was Top who suggested it), and P’ Yo commenting it’s like Mew being reborn. So, Mew finally achieving clear vision and for him to learn about Top’s cheating - 👌. Also, kudos for Mew, playing the long game when he found out Top’s cheating by staying calm and collected at his own party, decking Ray (unfortunately, Ray needed it cause he was truly causing havoc with Ray not listening to any reasonings even when Mew attempts to do that first by trying to calm Ray down), to him seducing Top before dropping the bombshell (Book played this part masterfully and to see him tearing Force’s Top character into pieces - 👍)

I will say it again, I really like Mew and Ray’s genuine friendship. Yes, Mew cannot return Ray’s feelings (and I suspect Mew is trying to gently “wean” Ray off his dependency of Mew cause despite being a good/close friend he cannot be there for Ray 24 hours) but other than that, Mew has made more efforts (than the rest of the group) to be there for Ray. And so, I’m glad that Ray did tell Mew (as any bestie should!) about Top/Ton. I just wished Mew have communicated to Ray better about letting him handle Top (I suspect it’s one of the reason why Ray may have drunkenly try to expose Top cause Mew may have kept his silence, probably trying to process what he has heard from Ray but Ray may have perceived it as Mew not believing him).

April and Namchuen

I’m glad we are seeing more of them (finally!). Like any relationship they have their own problems and with Ray again exposing their private issues during his drunken tirade (urgh that was disastrous, but also yay! - it’s a catalyst for this couple to communicate effectively and sort out their issues).

However, it does seem Namchuen is truly clueless about what’s going on with her male besties. She knows superficially about Ray being perpetually drunk and Ton being a slut. But other than that, it seems the boys are shielding her from the rest of their issues. So, it will be interesting to see how their dynamic changes now that some of the secrets and lies are being exposed (I’m also genuinely worried they are ALL not gonna pass their hostel project 🫣)

Anyway, as usual, it was a roller coaster 🎢 ride of emotions by the end of the episode. The cast and their actings continue to impress me - but the stand out for this episode belongs to Ray, Mew and Sand 👌….so, is it Saturday yet? I need to see Top grovel on Mew’s feet, Mew duking it out with Ton and some SandRay sweet moments to compensate for what I just experienced with episode 6

17/09/2023

#only friends the series #episode 6 #khaotung thanawat #first kanaphan #firstkhaotung #sandray #force jiratchapong #book kasidet #Neo trai #mark pakin #lookjun bhasidi #nonnie pitchaporn #this is me as usual to sort out the mess of emotions and relationship in each episode so that I can get it straight for next one

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clanofjones · 1 year ago

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Ghosts of Our Days: Chapter Sixteen

Chapter Sixteen: A Vigilante's Guide to Love and Murder

A/N: Aka... "Ouch, My Feels": The Chapter. @theosb0rnway and I peaked here in my opinion.

Enjoy the chapter!

Casey's POV

Casey had to find a bag for the head in order for it to stop dripping blood on her favorite pair of ripped skinny jeans. He hurried back to the apartment, a skip in her step, humming songs under his breath as he went. Raph would love it, she knew that, he was equally determined to destroy the Foot and Super Shredder. She unlocked the door, getting some blood on the key, before walking inside.

Drawing out his boyfriend’s name, he called: "Raphie! I've got a surprise for you!" Raph was on the ice box, to Casey’s surprise, and smiling at her and looking curiously at the bag. He sniffed and immediately wrinkled his nose.

"Oh god, how many people did you kill?? You smell AWFUL, babe! And that's sayin' something." Casey glared.

"Hey! Just one, but it was a MESS. Wanna see what I brought home as a little souvenir?" She winked and stepped closer, deliberately moving slower to piss Raph off.

"Yeah, sure, but then you need to shower, get all that shit off ya'."

"Only if ya' join me!" He smirked. Raph sighed.

"Anything for you, Case. Alright, let's see this big ol' 'surprise' you got for me."

"You're gonna love it, baby!" But before he opened the bag, however, she gave Raph a kiss, which turned into several kisses, which turned into the vigilante having to shove her boyfriend away in order to show him the surprise.

"Okay, okay, enough! Come on, let me show you!"

"Fine, but we're finishing that later."

"You know it! Alright, babe. One. Two. Three!" On three, she grabbed Karai's hair and pulled her head out of the bag. Raph screamed, scrambling back and falling on the floor, his semi-transparent leg slipping through the wall in his moment of panic. He turned away from Casey, trying to calm himself down, but it wasn't working.

"Raph? Babe? I know she's a little scary, I'm sorry-"

"What the fuck, Casey. I... I told you m-my family w-was OFF LIMITS." Casey looked at him confused, putting Karai's head down and sliding down next to him.

"Whaddya mean? She's not family, Raphie, she's Foot! Shredder's second in command!"

"She's my FUCKING SISTER, IDIOT." Casey reached out to put a hand on Raph's shell, but he growled and kept himself turned away. She was in disbelief. Karai wasn’t Raph's sister, was she? That couldn't be right.

"Raph, you're crazy, Karai isn't yer sister, alright-"

"YES, SHE IS! Hamato Karai! Or Miwa! WHATEVER!" He scoffed.

"It doesn't matter now, she's dead. Just like everyone else who crosses your fucking path." He stood up.

"Including ME." Casey's eyes widened, then turned into a glare.

"F— Fuck you, Raph. YOU KNOW WHAT, FUCK YOU!!" She lifted his hands up to the sky.

"You never said bullSHIT about her being your sister, and Splinter spews bullshit like that all the time, so how the FUCK-"

"DON'T TALK ABOUT MY FATHER THAT WAY!" Casey thought for a second and laughed.

"You remember that hockey thing I talked about when you asked me what my favorite team was or some shit? The Rat Trick? Well, guess what? Scott Mellanby found a rat in the locker room, so he killed the stupid thing with his stick. HE KILLED THE FUCKIN' RAT, RAPHAEL!!"

Raph screamed, launching himself at Casey, but he ran right through her.

Casey chuckled quietly, still in mild disbelief that this was even happening. Not just the fact that Raph was angry, or that Karai was angry, but that he was fighting with the ghost of her own boyfriend, something that should not even be remotely possible.

Raph was insulted. Casey, on her unwavering quest to avenge him and kill Super Shredder, had done just the opposite. He went out and killed his sister, beheaded her, came home covered in her blood, and thought that he would be okay with that.

He wanted to yell, scream, break down, and cry, but more than that, he just wanted to leave. He wanted to go home, see his family again, and be far away from the man he thought was his forever. The man he thought kept her promises. Turns out that was the biggest lie he ever fell for.

"I'm leaving."

"What?"

"You fuckin' heard me. I'm goin' home, away from all this shit, away from you and your stupid fucking one-woman crusade!"

"FINE! Go! Do whatever the fuck you want, not like you were ever tied here or anything! Not like I asked for this shit either!" They gave each other one last look from across the room, one of hurt and longing, wanting this all to be solved, but it couldn't be. Then Raph scoffed and walked right through the door, leaving Casey alone with the ice box, the plans, and Karai's horrified head still lying sideways on the floor.

"Hey babe, those weird losers above us just broke up-" Casey dropped down on the ground and screamed

"SHUT THE FUCK UP, ASSHOLE!!"

There was no more noise from downstairs after that.

Later that night, after all the blood had been cleaned up and Casey had very reluctantly taken a shower by himself, she lay on the ice box in disbelief.

What the hell was he thinking? Raph wasn’t out there, that was just an illusion that had eaten away at his brain! Raph was in the ice box, safe and sound. Well, rotting slowly, but still safe and sound. He kept that thought in the front of her mind, shoving all the other thoughts away and burying them deep down.

She had to focus on Shredder. After all, it's what Raphie would've wanted.

April’s POV

The occupancy of the Lair was at an all-time high, whilst morale was at an all-time low.

With over twenty New Foot Clan members, they were pressed for space, resulting in the dojo being jam-packed with the humans and their bedding, with the actual corridors of the sewers also home to a few.

April was under the impression that they had drawn up a rotation for who was to sleep outside each night.

Shinigami had only made herself known when the time came to speak to the Foot members and holed herself away almost all other hours. Although, to her credit, April recalled, she had allowed herself to be around April and the turtles.

Speaking of the turtles, Leo had taken on Karai’s role to an extent, helping Shinigami to manage all of them. Mikey had been on culinary duty, with the Foot members who knew how to cook, which was a decent amount, and, suffice it to say, they had been eating much healthier and fulfilling meals than smoothies, despite the glaring need for a grocery run. Donnie, on the other hand, had returned his focus to the hunt for Skullshot, much quicker than April would have liked.

(“He killed Karai, April. We have to go after him now.”

“I know, Donnie. But what the hell are we supposed to do with the Foot?”

“Not our problem. They chose to come here.”

“Shini asked them to.”

“Then it’s her and Leo’s problem!”)

April herself had spent a decent portion of her free time with Aria. The kunoichi in training was April’s age, and April couldn’t fathom how she’d never noticed her before. Granted, Aria had only recently begun in April’s school district, but nonetheless.

“How’d you join the Foot? I haven’t, like, fought you yet, have I?”

“No, I think I’d remember if you did. You’re not exactly forgettable.”

April felt a faint blush rise on her face, even if it wasn’t meant to be taken in such a way.

“But no, I didn’t join Oroku Saki’s Foot Clan. That one is a little too ‘eek�� for my tastes. Besides, not like he’d take me even if I was that stupid to want to join his cult.” Aria brought one foot up, her knee bent, and slung an arm over it. “Like, yikes, my dude.”

At that, April laughed. “Imagine staring down Shredder and saying that.”

“I would! I’d look at him, hopefully not die, and — have you seen him lately? Man is freaking nightmare fuel by now, and he ain’t getting better — and I’d go like this—” she hissed through her teeth with something resembling sympathy, and said: “‘Yikes, my dude. Take a chill pill. Or two. Or ten!’ And, like, yeah, sure, he’d try and kill me, but nobody has told him to take it down a couple of notches! Ever. It’s always ‘Oh, you tried to kill me? Me?? No! Fuck you! Die, you spikey bitch!’ And, yeah, that needs to be said too, but c’mon, man.”

April laughed again, and leaned back, her arms supporting her. She watched Aria and caught her watching her right back, and they both glanced away as if neither had been staring at all.

----

April talked to Aria a lot, to say the least. More than she did Donnie, but Donnie was growing increasingly difficult to talk to.

“How are you handling it?”

“What’s there to handle? There’s just adjusting.” Aria frowned, and April sat up straighter. “I— There’s nothing that can actually be done. One of my Sensei’s is dead. That’s that. We just need to make sure we stay on top.”

April thought she was being rather simple about the whole thing. There were emotions attached to loss, such as the ones she had displayed so viscerally when Leo and Shini had delivered the initial news.

“All we can do now is get revenge on the asshole that killed her. And that’s me being generous.”

April’s frown deepened. Something — completely unrelated to her powers, Donnie — was telling her that avenging Karai wasn’t going to solve much of anything. Not that she even knew where to find Skullshot if it even was their only option. The guy seemed to pop up out of nowhere, randomly, every time looking more and more like a Bizarro version of Casey Jones.

A short, stiff silence that had April twisting the hem of her T-shirt in her hand followed swiftly.

----

“So…” April began, and Aria looked at her, barely raising her head. “You never told me how you got into the Foot.”

Aria breathed out a soft laugh. “Yeah, yeah. Can’t keep anything from you, can I?”

April bristled cautiously, wondering if she’d gone too far.

“Dude, don’t worry, it’s fine. Nothing particularly traumatizing.” Aria readjusted her posture. “So, this is a little after the New Foot gets started up, yeah?”

April nodded.

“So, you guys seem to absolutely LOVE the alley that my window faces, and I see mystery ninjas all the time! Eventually, I said to myself, ‘What on Earth is up with these ninjas?’ and followed the New Foot for a bit.”

“How come they didn’t find you?”

“You guys aren’t as sneaky as you all think you are. You’re all loud as hell. I followed on the ground from a bit away and almost got caught a few times, but I think they thought I was a cat.

“I got caught for real when I was getting in. Or, trying to, I guess. I got caught in a bunch of old ropes and this flimsy ol’ ladder broke on me. Believe it or not, Karai didn’t have me leave, or killed or whatever. She had me interrogated but told me it was impressive I’d snuck up on them, and if I’d like a job in the Foot.”

“Just like that?”

Aria shrugged. “I don't think she would have been as forgiving if the New Foot hadn’t lost a ton of people after the incidents at Auman Chemicals, and all that. Either way, they needed recruits, I don’t think anyone was crazy about making the trek back to Japan.”

April frowned. “Well, I think you’ll be a great kunoichi.”

Aria looked at her and smiled. “Thanks. I was really nervous when I started, and then I didn’t even know about Oroku Saki. Not really, you know.”

“First-day jitters?”

“‘Everyday Fear of Ostracization’ is more like it. I was just lucky Sensei took something of a liking to me. Something about ‘all walks of life’ when I asked her.” she shrugged. “I couldn’t tell you.”

April leaned a little closer, keeping her eyes on Aria to watch for any adverse reactions. “Well, I’m glad she did.”

“Thanks, April.”

Aria looked up at April suddenly, and her eyes widened for a fraction of a second. Then her eyes softened, the edges crinkling a bit as she smiled.

----

“She told me stories about you,” Aria said, one day.

“No kidding?”

The girls were in the kitchen of the Lair, having been tasked with coming up with a meal while Leo dragged Mikey off for training. So far, they had a small pile of protein bars, an ungodly amount of fruit snacks, and bread that may or may not have been alive.

“Yeah. You, Master Splinter, Leonardo, Michelangelo, Donatello. Raphael. And Casey Jones.”

“What did she tell you about the others?”

“She said that Leonardo was one of the best ninjas she ever knew, of skill and character. She said he was at her level.”

“Truth be told, Sensei Shinigami has told me more about Michelangelo than she did. But they agreed that he was one of the kinder souls out there. Sensei Shinigami thought he was funny. With focus, he could outrank any of us easily.”

“Focus? Not our Mikey,” April laughed, not unkindly.

“Really?”

“You just haven’t met him yet. You’ll see, trust me.”

“I’ll take your word for it. If you would believe it, she told me Donatello was the smartest person she ever knew, if a little tactless.”

“Yeah, that’s fair,” April nodded at the potshot.

“She said that Raphael had the spirit of a true warrior if a little rash. I didn’t hear many stories from her after the attack on Wolf Hotel, but I don’t think she was surprised he was injured. I think she knew he had it coming, one way or another. She also said he had a hell of a trash mouth.”

April laughed into her hand. “Well, she wasn’t wrong. That’s Raph for ya’.”

“Master Splinter… My Sensei never told me much about her, but what she did tell me was always positive. She said that only the most skilled of ninjas could have taught the turtles and that he was a lot of things, but inept was never one of them.”

April looked down and nodded. “Maybe it’s for the best that you never knew him. There’s been enough heartache already.”

“He was like my Sensei to you, huh?”

“I guess so.”

A beat of silence passed between them.

“What did Karai tell you about Casey?”

Aria’s shoulders bobbed up and down with silent laughter. “Jones… Sensei told me that Jones was always the most likely to kill a man with a smile. You know, in a good way.”

April smiled, her fears not completely dashed. “Here's hoping that serves him well.”

“You haven’t heard anything?”

“No. The closest thing has just been that Skullshot wacko.”

“That’s one way of putting it.”

“Do… What do you think? What do you think happened?”

“You’d know if Shredder got them, yeah? If anything’s happened to them, then some random guys off the street got them. Or the government. They could also be on the run.”

“One of them got stabbed before they ran. I don’t think Casey knows much about first-aid, but Raph could probably fix it up if they had the supplies. They could've bled out, or they could be dead, and we never would have known.”

Now it was Aria’s turn to have nothing to say on that. She looked down and fiddled with her hair, and the two girls continued regaling the other with tales of the past.

----

April hadn’t seen Aria all day.

All day turned into two days.

Two days became a week.

Distantly, April wondered if she had found Casey and Raph.

Or maybe, as cynical as it may be, she had met the same fate as them, and April would yet again lose everything she had fought so hard to keep.

A/N: Ah, yes. My four-course meal of pain which I co-cook and then throw at your faces as hard as possible.

I'll link everything later. It's 10:30 over here and I am exhausted.

#ghosts of our days #TMNT 2012 #2k12 raph #2012 casey jones #2012 rasey #sort of #you read the chapter you know how it went #2012 april #2012 raph #2012 donnie #tmnt 2012 oc #the others are only mentioned but they're there too #fanfiction #tmnt fanfiction #tmnt 2012 fanfic #tmnt 2012 au #fanfic

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bllsbailey · 1 month ago

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As Jury Begins Deliberations, Daniel Penny Appears to Have a Surprising Voice in His Corner

As the jury in the Daniel Penny case began their deliberations Tuesday in the second-degree manslaughter trial of the 26-year-old former Marine, a Saturday radio appearance by NYC's Democrat Mayor Eric Adams

is getting plenty of notice—because Hizzoner appeared to voice his direct support of the defendant. It was a failure of the system, Adams said, and Penny did “what we should have done as a city”:"We’re now on the subway where we’re hearing someone talking about hurting people, killing people," Adams said on the Nov. 30 episode of "The Rob Astorino Show." "You have someone [Penny] on that subway who was responding, doing what we should have done as a city.""Those passengers were afraid," the mayor added. Saving everyone the clickrage. Eric Adams is on Daniel Penny's side. pic.twitter.com/PfVEIHl72U— Jay (@OneFineJay) December 3, 2024Related: Forensic Pathologist Nukes Alvin Bragg's Prosecution of Daniel Penny: 'Chokehold Did Not Cause the Death'TRAGEDY: Daniel Penny Case Shows the Utter Failure of Progressivism (VIP)As we’ve reported, Penny said he was protecting passengers when a lunatic burst into the train and started wreaking havoc:Imagine this: New Yorkers are riding the subway when a deranged man barges into the car and starts screaming that he’s going to kill people. He looks crazed, clearly on drugs—lots of them.If you were riding that train, you might have thought you were about to die a violent death, and some of the passengers thought exactly that. A mother with her young son hid behind a stroller. A high school student prayed as the man yelled, "Someone is going to die today!" and lunged at commuters.Enter a strapping Marine vet to take the psycho down. Which he does efficiently, effectively. He holds him until police (eventually) arrive, and keeps the other passengers out of danger. When he lets go of the assailant, the guy is still breathing.His name is Daniel Penny and he’s an American hero, right? The attacker, Jordan Neely, later died. To woke Manhattan District Attorney Alvin Bragg, that shows Penny was no hero—so he promptly charged him, and now he faces up to 15 years in prison.Adams seems to have a different view than Bragg and said he hoped jurors came to the just conclusion:Adams went on to say that he hoped jurors would “hear all the facts” as they consider whether the 26-year-old former Marine was justified in restraining 30-year-old Neely — who had a history of mental illness and drug abuse — following his outburst on the crowded F train train in May last year.“Based on all the facts that’s laid out, a jury of his peers will make the right decision. I don’t want to prejudge that,” Adams said of whether Penny should be found guilty of manslaughter and criminally negligent homicide.“That could have easily been a case where you saw three innocent people murdered on our street two weeks ago,” he added, referring to a recent deadly stabbing spree in Manhattan on Nov 18.“We have to recognize we have a mental health crisis, and we’re not doing enough to solve it.” Related: A Tale of Two Subway Trains (VIP)New York City Homeless Man Goes on Stabbing Spree - Two Reported Dead (later updated to three dead)Adams is right. We can only hope the jury sees it the same way and sees through this deplorable prosecution. If Penny is found guilty, it will show yet again how our system of justice is being destroyed brick by brick by progressive ideology.This is Daniel Penny's prosecutor Dafna Yoran (Who repeatedly referred to Penny as the "White man" during the trial) and is a self-proclaimed Communist, profiled in Go Mag’s "100 Women We Love." She brags about pioneering the "restorative justice" sentence for an NYC murderer. pic.twitter.com/IXPeqBQVIq— Scott Adams (@scottadamsshow) December 3, 2024

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alyosiuscreightonward · 1 year ago

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Dear Diary. Random thoughts.

🤦‍♀️🤦‍♀️ Ugh. If you could just please give me a moment to explain.

I’ve been trying to shed the fact that I’ve had some exposure to politics. It started at a young age when LBJ (see MTG’s recent remarks about LBJ), now I may not have fully aware nor fully understood what was happening, however years later, I’ve a different perspective.

The Vox Populi all have chimed in.

Yet the consensus is that there are several camps: Love, Hate, Like, A Definite Maybe and I’ve Never Ever Voted, but from my recliner I’ll complain about everything.

This is not uncommon. Since history is now becoming a trigger word for many people, it exists regardless. I know that in my experience and what happened in my life is now a moot point; yet I grew up in a space that was very reminiscent of the United Nations. I had folks such as Barbara Jordan, William F. Buckley, Jr. and Benjamin Netanyahu come into my home and break bread and have some fellowship. I was ignorant. I thought that it was normal to have these people orbit my world.

Meanwhile as I was going to school, I didn’t give it a second thought that I would be able to meet kids and their families from Japan, Korea, England, Hungary, Yugoslavia, Israel, Ghana and Russia. I thought it was perfectly normal to have Black and White living together.

Then in March of 1974, I saw first hand the ugly face of Racism, Bigotry and Hatred when I moved to NYC from Boston. At that moment in time, desegregation was happening and children were being bused from one school to another school. I knew some of the characters involved such as Louise Day Hicks. I had met her once and I was flabbergasted.

At William Cowper Junior High School in Maspeth, Queens, NYC, I had been physically assaulted several times by four boys who were of the view that I was the sole reason for the rioting in the streets due to busing and integration. They all believed that I had moved to NYC to escape the violence and school integration.

Uh…William Cowper was racially diverse. Yet I was positively discriminated against because I was from Boston and I must have had a finger in the desegregation movement. Dude.

As I mentioned earlier, everyone has opinions about what did happen and what is happening. Folks have complained about LBJ through JRB.

Folks rant and rave about each and every President yet not one person has ever said that they had a personal visit from The President who had deliberately singled them out and then destroyed their lives. The Mayors nor The Governors have come out to your house and knocked on the door and said, “I don’t know you but I’m going to ruin your life because I can.”

Your Grandparents don’t need Medicare/Medicaid. You like me have been employed since 1977 and you don’t need Social Security. You can’t have Clean Water from the municipality but you can have water from the culverts that run along the highways. You can’t have Clean Air because of the Chemical Plant we want to build next to your house. Here in the United States, we can say that the government sucks however in some countries you can’t. In those countries where you can’t say anything about anything, you can and will absolutely disappear never to be seen again should you ever utter a word about the government or the people in power.

I’m pretty sure that none of you had read George Orwell’s book 1984, but you want to actually live life like those depicted in Margaret Atwood’s Handmaid’s Tale. Apparently you have a dream that like the movie Soylent Green is a goal. The subplot was that if you were considered undesirable etc you’d vanish and then lo and behold Soylent Green.

In some of those totalitarian countries, yes, there’s universal healthcare but it’s not what you think. One person has been riddled with bullets, they just might be first in line and then maybe not. One person may have infection and may need antibiotics, but they just might not get those antibiotics. Malaria can be controlled like Polio but like Leptospirosis, we don’t need or want a vaccine because there are nano bots and microchips in them.

We need more incidents like Columbine, Parkland and Uvalde. We need more heartbeat bills in place in order to deny women prenatal care and after they give birth, we need to abandon them altogether. We need to stop telling men that masturbation is a heinous crime and that all women need to get pregnant just because. Women absolutely should be seen and not heard and women like Margaret Thatcher, Corazon Aquino, Benazir Bhutto and Angela Merkel are all ruining it for women. There shouldn’t be women like Wilma Rudolph, Babe Didrikson Zaharias or Billie Jean King.

Biden wants to make an attempt to bring folks together in order to have things like clean water, clean air and a healthy debate about a plethora of issues that could actually help us.

Yet the Orange Palpatine wants me dead because I said, hey now, Florida is disappearing and I don’t like that. I said, hey now, they’re strip mining the Grand Canyon and the Colorado River is polluting the drinking water of Texans. He says that’s okay. The water is only becoming more polluted by erecting more fracking sites in people’s backyards. Then on TV and in Movies, diversity, equality and inclusion are crimes against humanity. Ed Sullivan should never had introduced us to Diana Ross and The Supremes. Why is there a Bruce Lee or Yakov Smirnoff? Why on God’s green earth would anyone ever want to go see the remake of The Color Purple or even just acknowledge Crazy Rich Asians. Harvey Korman as Mother Marcus on Carol Burnett show is acceptable as Milton Berle in a dress but RuPaul or Tyler Perry, two black men who practically pass as women. Kill them immediately. We absolutely need more shows like Make Room for Daddy, Father Knows Best, The Honeymooners and Leave It To Beaver. We never ever should have heard about Norman Lear, Flip Wilson and we must absolutely get rid of America’s Got Talent Show because they promote diversity, equality and inclusion.

Erasure of James Brown, Rick James and Bad Bunny is a great example to show us that Andy Williams, Perry Como and Pat Boone is the only way to go. I mean erasure of Judy Garland, Adele and Taylor Swift together would make an awesome impact for saying women need to be barefoot and pregnant and they should be able to do everything for their men including breathing.

In conclusion, if Joe Biden is doing such a horrible job then why do have the ability to change the channel and look for a different perspective? Yet the twice impeached, twice indicted and liable for sexual harassment retiree in Florida wants to give you only one channel to watch and no chance at all for a counterpoint? Yeah that Governor in Pennsylvania should never had fixed that portion of the highway. Every single dog, cat and animal should have the ability and right to have rabies and there’s no need for veterinarians. Thank goodness Rodney King is dead because once he uttered, why can’t we all just get along was his downfall.

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raparopa · 2 years ago

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a/n: you won't believe who's still alive

a/n 2: I remind you that my English is still bad

a/n 3: PLEASE write if you want to see beautiful women from this series too (yes i write femslash)

warnings: murders? (?not romantic guys?)

jealousy

daemon targaryen

-good. daemon targryen psycho (my opinion, you know). if he has real feelings for you, then his jealousy, well, how to say ... he will not say this directly, rather he will mockingly hint to you that he is dissatisfied with this or that action of another person.

-I think he will actually react with ridicule. first he will humiliate the one who dared to disturb your peace of mind, this, of course, will attract the attention of everyone

-if the guy realizes that it's time to leave, the daemon will throw a couple of barbs at you after all this. if not...then god forbid someone meet with an annoyed daemon.

-do you remember the scene with velaryon? repeat it in your head with double brutality and ten times

-daemon - a man with an eternal sword in his hands. so I doubt that if someone knows about your connection with the targaryen, he will climb to you)))))

criston cole

- in my head criston cole-yandere. and do what you want with me ok? he is not a reserved person. he is a walking bomb that will explode from a small spark. he attaches too much to those he loves, and this attachment is not entirely healthy

-everything can make him jealous. EVERYTHING. did someone look at you for more than two seconds? did someone touch you? someone complimented you and you smiled? killing machine mode enabled.

-he will immediately get into a fight. if he doesn’t get into a fight, he will challenge him to a fight. if he doesn’t call for a fight, he will blow his head off, while no one sees.

-you are everything for him that exists. there is nothing else but you. after he has dealt with the threat on the horizon, in the form of someone else near you, he will be angry enough not to speak to you for several days, also suffering from his actions.

-everything you do should be directed towards him and only him. it is not discussed. and it doesn't matter who you are or what you are.

aemond targaryen

- looks at the opponent for a long time and menacingly, making everyone within a mile radius nervous. I think he's poking his knife into the table, making everyone JUST MORE nervous.

-long and absolute destruction of his opponent. such that poor alicent wants to turn into something round and roll away to hell from the king's landing. everyone is silent while the prince speaks. he deliberately ignores you and your presence, your entreaties, your requests. he has one goal - to destroy the one who thought too much of himself.

-I love this guy very much, but let's not deny that he has certain problems with affection and feelings (like all other relatives). he is very painfully worried inside himself that someone can steal you from him. he's so deeply insecure because of his eye...why does the only person he's revealed to prefer someone else?

-when he finishes talking, the person talking to you will be dead. typical outcome.

-and you? a serious conversation awaits you. and you will also get some unpleasant offers. unconscious of course. (followed by the meanest apologies)

aegon targaryen

-he immediately starts pouting like a small child. how DARE you be with someone else instead of him?! how dare someone steal you away from him?! how is that even possible?

-I think he even cries a little. just for a second. and then immediately orders to destroy the person who interfered with his personal happiness.

-he will be offended. and will be convinced that it is you who are to blame for this. you will not be able to find him for several days, and if you meet, he will defiantly pretend that you do not exist.

-yes, you will have to apologize on your own.

-and say that he is the most wonderful in the world. just say the sweetest things about him, hold him in your hand, stroke his hair, comfort him. and only then will you be forgiven.

#house of the dragon #hotd #daemon targeryen x reader #daemon targaryen #criston cole #criston cole x reader #aemond targaryen #aemond targaryen x reader #aegon targaryen #aegon targaryen x reader #house of the dragon x reader #house of the dragon imagine #hotd x reader #hotd imagine

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zeta-in-de-walls · 4 years ago

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Tommy and the role of ‘hero’

Hey, this little essay is discussing how Tommy’s character has struggled with being called a hero and hows it’s been a significant part of his character arc for Season 2 of the SMP. It’s not a title he ever gave himself yet it’s a title he’s burdened with all the same.

Funnily enough, I don’t recall Tommy ever being called a hero before Technoblade’s damning speech on Nov 16th, where he compared Tommy to Theseus.

Tommy you just did a coup. You just did a hostile Government takeover and then immediately instilled yourself as President. And then you gave it to your friend but that’s still a tyrant Tommy.

But the thing about this world Tommy, is that good things don’t happen to heroes. Let me tell you a story Tommy, a story of a man called Theseus. His country, well his City-State technically, was in danger and he sent himself forward into enemy lines. He slayed the Minotaur and saved his city. You know what they did to him Tommy? (”What did they do?”) They exiled him. He died in disgrace, despised by his people. That’s what happens to heroes Tommy. The Greeks knew the score. But if you want to be a hero Tommy, that’s fine.

Do you want to be a hero, Tommy? Then die like one!

Technoblade’s speech is a frustrating one at first. It begins by essentially calling Tommy a power hungry tyrant despite that being far from the truth - Wilbur was the one who formed the Government and Tommy rejected power. He trusted it to Wilbur who then chose Tubbo. Schlatt wasn’t even killed by Tommy, he died of a heart attack after being abandoned by every one of his allies so it wasn’t even really much of a takeover at all and it wasn’t Tommy. Yet this speech was entirely directed at Tommy.

But the latter half is different, accusing Tommy instead of trying to be a hero who thinks he’s saving the world and that he’s doomed to have a bad end. It’s interesting as never has Tommy claimed to be much of a hero. Tommy’s always just fought for the things he cared about. Indeed his response to Techno’s speech suggests the same.

“I’m not the hero. No one’s the hero! We’ve got L’Manburg for each other.”

But of course, Techno’s words stick with him all the same. Particularly the bit about a tragic end as Tommy becomes very, very aware of his own mortality in the arcs that follow. To Techno, a hero seems to be a naive figure who tries to do good but is destined for failure and tragedy.

But there’s another path Tommy fears even more. One that he’s witnessed firsthand. Becoming the villain.

Let’s be the bad guys. Tommy, why not? Our nation’s gone. our nation’s far behind us, Tommy. Let’s blow that motherf*cker to smithereens. Tommy, I say if we can’t have Manburg, no one - no one can have Manburg! ...L’Manburg.

This is a new era! We burn the place to the f*ckin ground, I want no crops to grow there ever again. I want f*ckin mycelium and cobblestone, it all covered, Tommy. I want it all gone!

Tommy, let’s be villains.

Wilbur was Tommy’s hero. He loved Wilbur dearly and wanted nothing more than to be a good right-hand to him and make him proud. But when they lost L’Manburg and were banished, Tommy saw Wilbur changing, saw him giving up home and deciding he’d rather destroy the thing they’d worked for and blow it all up. After Wilbur made this speech, Tommy argued, making it clear he was entirely against his plans. Even saying that it wasn’t the moral thing to do. He said not to give up hope, that everyone wasn’t against them and that Wilbur’s ideas were reckless. But he stayed with Wilbur and continued to support him, hoping that he could convince him to change his mind. Tommy failed. And Wilbur died.

So, the Tommy at the start of S2 just wants to go back to his old life, a simpler time where he doesn’t have to worry about L’Manburg anymore as it’s in safe hands and he can focus on his personal concerns once more - like his music discs. He doesn’t want to be a hero or a villain, he merely wants to be happy again in a world without Wilbur.

But there’s someone else watching him. Dream.

I think it’s no coincidence that Dream wanted Tommy exiled by his own people. I think he was deliberately trying to make Techno’s speech into a reality. Dream had become rather obsessed with Tommy and treated all their interactions like a fun game where he played the villain and Tommy, the hero. It’s not a narrative Tommy himself liked but all he could do was play along.

Dream had him exiled and this seriously pushed Tommy to his limits. On the first day, Techno briefly visited and asked him why he was still trying and he answered that he always gets back up and he would keep on fighting Dream. But as his exile progressed he slowly lost his will to fight. Slowly Tommy stopped believing that his exile would ever come to an end and that people still cared.

In exile Tommy had a lot of time for reflection. Here’s something Tommy says days into his exile when he’s begun to lose all hope and is starting to accept that maybe Dream’s his only friend.

Everyone always tells me I was the- the hero of this server. The one that came and f*ckin fought Dream - the only one that ever spoke back to him. But maybe I was just... maybe this was just meant to be.

Tommy’s got complicated feelings about being a hero. To him it means standing up to Dream, never giving up - that’s what he believed people expected of him. But in his exile, he began to give in to Dream. He begins to express how no one cares and that the only reason they ever pretended to care was when he had status - when he was part of L’Manburg. There’s this implication that he felt like people only cared about him when he was being the selfless hero. When he was trying to be selfish for once, causing trouble like he used to and wanting to focus on his personal disc war rather than on L’Manburg, he got exiled. (Of course, this is Tommy’s biased perspective not how others actually viewed him.)

Tommy eventually escaped his exile, finding renewed courage to fight against Dream. Except, he’s still scared and uncertain and feels confused about Dream. He feels lost and clings onto Technoblade for support.

With Technoblade, Tommy starts to feel more like himself - but Techno also influences Tommy, turning him more against his friends. (I think Techno’s character genuinely thought they didn’t truly care about Tommy, likely not realising how much they had also been manipulated by Dream.) Technoblade gently encourages Tommy to be more violent and wants him to help blow up L’Manburg.

This is where Tommy’s fear about becoming more like Wilbur come into play. Tommy did not want to become a bad guy - he’d had nightmares about it even. But in his time with Technoblade, after how helpless he’d been during his exile, being given some power lead Tommy to start lashing out more violently, he began to get more aggressive - alarmingly so even. Technoblade’s path was one of revenge, dealing with his own pain by causing others to suffer (for noble goals, fighting corruption etc I don’t want to get sidetracked though this is about Tommy). Technoblade’s presence was helpful to Tommy, helping him to get over much of his fear but he still lacked in agency and still felt lonely knowing he hadn’t made up with his friends.

Tommy finally came to his senses at the festival, where he realised he was fighting his best friend and putting his personal attachments - his discs - over Tubbo. And that was wrong. He realised he was becoming just the sort of person he didn’t want to be - he had been on the path to becoming like Wilbur. And he rejected that path. He wasn’t going to be a bad guy. Just because he was hurt didn’t justify hurting others. So he reconciled and once more committed to protecting L’Manburg, having put his personal desires aside. It seemed like he’d put himself into the role of selfless hero yet again.

And he failed. Again.

Dream tells him how it was a fun game to him. And how their story was not over. Tommy though, had become extremely tired of it. He didn’t want to play Dream’s game.

They meet up again. And again, Dream talks to Tommy like he’s important - like he’s the key to everything. He wants Tommy to play the role of hero and has been manipulating events for a long time to keep pushing him, to keep taking things from him. Being a hero, which Dream believes Tommy wants, simply means playing along with Dream’s narrative.

Tommy, you want to be a hero, right? You want to be the hero of the server. And every hero needs an origin story, right? Batman had his parents, Spiderman had uncle Ben, you have Tubbo, right?

In the end, Tommy refuses to play Dream’s game anymore though. He called for help and got saved by everyone else. Then he killed Dream twice and had him locked away for good.

And once more, Tommy decided to do things for himself again. He decided to live peacefully, working on a project, talking to various people on the server and trying to avoid making waves and getting into any more conflict. It’s a good end.

He rejected Wilbur’s path and he defied Technoblade’s predictions and he didn’t lose his best friend to Dream. And now Tommy’s trying to avoid playing the role of hero anymore. It’s not a title he ever gave himself but one thrust upon him. Yet it’s one he’s keenly aware of. And one that, despite everything, he can fulfil.

Tommy’s arc has been in some respects about defying the expectations of others - but he also can’t help but fight for the things he loves. He realises his troubles were not that his friends didn’t care or that he had to play a role but that his life was being controlled by Dream and now he’s free of that. No longer is he so weighed down by expectations but when there is a sufficiently threatening enemy, he has not lost his determination to challenge it.

#tommyinnit #meta #analysis #uh feel like i didn't have a great conclusion #anyway i love tommy's character #and his arc has been great this season #i especially appreciated how the exile arc really showed another side to his character #and dream's a great antagonist #driving much of this conflict #dream smp #exile arc #i didn't really talk much about love and attachments which are also impornant to understanding his character this season #and also his grief and thoughts on death #anyway this is about tommy not techno or dream or wilbur so i'm not analysing their actions except in regards to how they affected tommy #but feel free to add or correct me on anything #cheers!#the disc war

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hamliet · 4 years ago

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The Girl Who Gets to Have It All: Buffy Summers

So with @linkspooky‘s encouragement, I have binged Buffy the Vampire Slayer and relived my childhood culture. And, it's a 10/10 for me. Not that it doesn't have flaws, but it's genuinely one of the best stories I've seen, with consistent character arcs, powerful themes, and a beautiful message. It's also like... purportedly about vampires and demons and superpowered chosen ones, but it's actually all about humanity.

Buffy was able to be a teenage girl, allowed to like the things teen girls are scorned for (boys, shopping, etc), to be insecure about the thing teenage girls are insecure about (future careers, dating, school, parents), and to be a superhero with its good and its bad aspects. The story wasn’t afraid to call Buffy on her flaws (sometimes she got in a very ‘I am the righteous chosen one’ mode) and to respect and honor each of her desires (to be a good person, to be loved, and more). The story listened to what she wanted and respected her desires, giving her the challenges needed to overcome her flaws while also never teaching her a lesson about wanting bad boys or romance is silly or any manner of dark warnings stories like to throw at teenage girls.

It respected teenage girls--nerdy girls like Willow, jocks like Buffy, lonely wallflowers with trauma like Dawn, and popular/snobby ones like Cordelia, girls gone wild like Faith. It never once reduced them to the stereotypes that were lurking right there: each character was fully rounded, human, flawed and yet with respected interests and goals. This is so rare for a story that I’m still in awe.

The story as a whole follows Buffy from 15 to 21, of her as she grows from teenager to adult. She acts like a teenager and grows to act like a young adult, wrestling with loneliness and duty. The adults, like Giles, Joyce, and Jenny, are not perfect either, but neither are they “bad parents” or “bad mentors” necessarily. Joyce in particular says something terrible to Buffy, but she tries to do better, and it’s rare to see a parent in YA stories shown with such nuance. Basically, it wrote the long-lasting adult characters as human beings, too.

Speaking of growing up, I appreciated how Buffy’s love interests mirrored this. Angel was someone Buffy loved and admired, wanted to be like, but who was always either extreme good or extreme bad, and combined with Buffy’s own tendencies towards black-white thinking, made for a beautiful relationship to help her grow, but didn’t necessarily form a foundation for a long-term partner. Spike, on the other hand... they both saw each other at their worst and were drawn to each other even then, and were inspired to become better because they couldn’t bear to be a person who treated the other person so wrongly. They pushed each other to become the best them they could be, and believed in each other. Also, Spuffy is an enemies to lovers ship for the ages.

(Also, most of the other ships were well-done or at least can be understood. Riley was very obviously wrong for Buffy which paralleled Harmony and Spike in being 100% wrong for each other. Cordelia and Xander were a fun ship even if we all knew it would never last, and Willow and Oz were beautiful and cute. But Xander and Anya and Willow and Tara? OTPs. As were Giles and Jenny, the librarian and the computer teacher.)

That said, it’s not a perfect series. No story is. All of the characters and ships had problematic aspects to them worthy of critique, and the writing is very 90s in a lot of ways. It’s a product of its time, and in many ways it’s good society has progressed beyond some of the tropes/metaphors used in the show. In other way, though, the show was ahead of its time, and in a good way it wasn’t bound by the fear of purity policing with its takes on redemption (many characters would never fly today).

So, in order of seasons ranked from my very favorite to my “still enjoyed it very much” (no season was actually bad, imo), here’s my review. I’ll also review my top 10 villains in the show, because Buffy does villains very well in terms of the redeemable and irredeemable.

Season 7: Yep, the final season was my favorite.

Overall Opinion: Buffy's finale is literally "f*ck them men, our power is ours" and while it seems cheesy it actually works (also, f*ck in both a literal and figurative sense). The series strongly hit all the themes: love as strength, and redemption. Buffy consistently shows love as her strength--*all* kinds of love. Friendship w Willow/Xander, familial with Joyce/Dawn, romantic with Spike/Angel. These types of love are also never pitted against each other as is so often the case in current-day media. It's beautiful. Also, Spike’s confrontation with Wood was so powerful in terms of exploring forgiveness, redemption, and reconciliation: where they overlap and where they don't, and what it means to move forward.

Unpopular Opinion: I have seen a lot didn’t like the inclusion of Potential Slayers, and while I agree they could have been better incorporated/characterized, it was a great way to show Buffy’s final stage of growing up to be ending her chosen one status and projecting/multiplying her powers over the world.

Biggest Critique: Kennedy was female Riley--the anti-Tara to Riley’s anti-Angel (by ‘anti’ I mean opposite in every way). Kennedy was annoying and immature. Her role, like Riley’s, was less about exploring her as a character and more about her just being stamped as “love interest: lesbian.”

Favorite Episodes: Beneath You, Lies My Parents Told Me, Touched, Chosen

Season 6:

Overall Opinion: I said this on Twitter, but I felt like this was Buffy’s The Last Jedi or Empire Strikes Back moment. It is polarizing and dark, deconstructing the tropes it stands on--but by digging to the core of these tropes, it actually makes what’s good about them shine brighter. Everyone’s enemy was the worst versions of themselves. Giles left Buffy, Willow's struggle to relate to the world led to her trying to destroy it, Buffy hurt everyone through her anger, Xander abandoned Anya at the altar, Spike... yeah. It ages well as an integral part of the story, and the Trio were eerily prophetic.

Unpopular Opinion: Dawn is a great character with a good arc. A traumatized teen acting out and struggling to come to terms with loss and identity? She wasn’t whiny; she was realistic.

Biggest Critique: Willow’s addiction coding (I’ll discuss this below) and Seeing Red as an episode. I see the argument for both of its controversial scenes from a narrative perspective: Willow starts the season not grieving Buffy but instead being determined to fix it with magic and needs to learn to grieve, but. Still. Bury your gays is not a good look. For the Spike scene... he conflates sex/passion and violence (”love is blood, children” is something he said way back in season 3), but like Tara’s death, it had more to do with Spike (as Tara’s death did for Willow) than with Buffy’s arc, and as for the actual execution... they really botched that. Did it like... have to go on that long or go that far? No. Also, the framing was good, but inconsistent with the rest of the series (Xander to Buffy in the hyena episode, Faith to Xander and to Riley, etc.)

Favorite Episodes: Once More With Feeling, Smashed, Grave

Season 3 (tied with Season 5):

Overall Opinion: The opening continuity of Buffy meeting Lily/Anne after saving her life in Season 2 was sweet. The Witchhunt episode had really powerful subtext: stories of deaths that aren’t even true are actually demons that possess the town and convince them to turn against their children in the name of protecting the children. It’s a good commentary on, oh, everything in society. Faith’s character arc was fantastic, and her chemistry with Buffy was off the charts (look, I may be Spuffy all the way, but Fuffy has rights). The finale was satisfying in so many ways, seeing the entire graduating class unite to destroy the Mayor and the school with it, symbolizing Buffy et al’s readiness to move on to college. Oz's relationship with Willow was very sweet and meaningful for a first romance for Willow.

Unpopular Opinion: I actually don’t really have one. Maybe that the miracle in Amends was earned? I think you can make a decent case that Season 3 is the best written of the seasons, but can only truly be thematically appreciated to its full potential in the light of subsequent seasons (which finish Faith’s arc and deconstruct Buffy’s).

Biggest Critique: It forgot Buffy killed the hyena guy in Season 1, making her continual insistence that she can’t kill people very ?????

Favorite Episodes: Lovers Walk, Amends, Graduation Day Part 2

Season 5, which ties with Season 3:

Overall Opinion: The entire season is about family and what it means, from Tara’s to Buffy’s to the Scoobies. I loved Glory aka Enoshima Junko as the Big Bad, I loved Dawn’s interesting meta commentary on retconning (like, the fact that she’s retconned in matters), and most of my ships are still alive. Joyce’s relationship with Spike is one of the most heartwarming aspects, and Spike’s arc’s desire is clearly highlighted: he wants to be seen as a person. The episodes after Joyce’s death are the most honest portrayals of grief I’ve ever seen, and absolutely brutal to watch.

Unpopular Opinion: Buffy’s choice at the end seems a deliberate inversion of her choice at the end of Season 2 (sacrifice a loved one to save the world), but it actually isn’t: much like at the end of Season 2 where Buffy skips town because she’s devastated after killing Angel and doesn’t want to sort out being expelled, her mom knowing she’s the slayer, and her own trauma, Buffy’s sacrifice here was as much about her wanting the easy way out of relationships, family, college, etc. as it was about saving Dawn. Buffy’s death is coded as a suicide, which Season 6 emphasizes as well.

Biggest Critique: Like Season 3, I don’t have a lot to critique here. I wish the suicidal coding had been a little more obvious in Season 5 itself, but also I’m not sure it could have been more obvious; it’s pretty apparent if you pay attention. Maybe also that Buffy and Riley’s relationship failing should have been more squarely blamed on Riley, you know, being insecure and cheating.

Favorite Episodes: Family, Fool for Love, Intervention.

Season 2:

Overall Opinion: Heartbreakingly tragic but exciting and revealing at the same time. It asked the viewer interesting questions about redemption and forgiveness and atonement through Angel being honest about his past, and then decided to show us his past now reenacted, challenging us. And still, we saw them save him in a parallel to saving Willow in Season 6 (but Season 2 was tragic because it wasn’t enough, while Season 6 was not). Jenny’s death was agonizing, and the scene were Angel watches Buffy, Willow, and Joyce get the news through the window was powerful. We didn’t have to hear them to get the grief.

Unpopular Opinion: Jenny’s death isn’t a fridging; it works for her arc too when you consider her history. She worked to save the person whose life she was tasked to ruin, and it cost her her own--yet she still succeeded, because Jenny brought joy and wisdom to the show. Kendra’s death, on the other hand... was because they needed the stakes to be high--but we already knew that before she died. So, her death was useless.

Biggest Critique: The subtext was Not It. It was essentially “do not have sex. Your older boyfriend will lose his soul, kill your friends, you’ll lose your family, your school, your home, and have to kill your true love or else hell will literally swallow earth.”

Favorite Episodes: School Hard, Passion, Becoming Part 2.

Season 1:

Overall Opinion: I really liked it; it’s just lower on this list because the others are just better. It’s a great introduction to the series and to its characters, from Giles to Buffy to Willow to Jenny to Cordelia. It has great subtext a lot of the time (for example, Natalie French as She-Mantis is a literal predatory bug who engages in predatory behavior with students). Additionally, it subverts the typical YA trope of two guys and a girl, in which the girl is usually the least interesting character. Buffy and Willow were both fully fledged characters from the beginning with distinct strengths (even before Willow became a witch, as she wasn’t one in season 1 yet), while Xander was the more ordinary of the group.

Unpopular Opinion/Biggest Critique: Xander’s arc showed its first flaws that unfortunately continued throughout the series: his writing was either very good or very indulgent in ways it never was for other characters. (cough, the hyena episode, cough, in which he gets to skirt responsibility--and acknowledges that he is skirting it--for something the show will later hold others to account for). Xander’s just kind of inconsistent, which weakened his character over all. (Which is why both his love interests--Cordelia and then ultimately Anya--were good for him: they did not indulge him.)

Favorite Episode: Witch, Nightmares.

Season 4:

Overall Opinion: it’s still a good season. It’s a good portrayal of college and the growing pains of branching out, the strains of college growth on relationships (romantic and platonic). It shows us the first hints of Spuffy, giving us some serious Jungian symbolism between Spike and Buffy early on, and does well in establishing Xander/Anya and Willow/Tara as beautiful OTPs. Faith and Buffy’s foiling is fantastic. The Halloween episode was very fun as well. However, it suffers because its Big Bad, Adam, is not all that compelling thematically--yet, he could have been. See, the final battle pulls off the Power of Friendship in a really strong way but notably the season does not end there. Instead, it ends on dreams of each character’s worst fears, continuing what we saw in Nightmares in Season 1. Why? Because it shows us that the characters’ wars aren’t against monsters, but monsters of their own making: their flaws. Adam, as a literal Frankenstein, exemplifies this, but it wasn’t capitalized on as well as it could have been.

Unpopular Opinion: Beer Bad isn’t a bad episode, at the very least because Buffy gets to punch Parker. It’s not one of the series’ best, obviously, but it does give Buffy an arc in that she gets her daydream of Parker begging her to come back, but she has overcome that desire and her desire for revenge. If we wanna talk about bad subtext in Season 4, Season 2′s Not It sex subtext continues in the Where the Wild Things Are episode in this season; it’s a powerful callout of abusive purity-culture churches, until the fact that the shame creates a literal curse undermines the progressive message it’s supposed to send. Also, the Thanksgiving episode (Pangs) is a nightmare of white guilt and Oh God Shut Up White People.

Biggest Critique: Riley is awful. Like Kennedy, he had “love interest:normal” stamped on him and that was it. The thing is, he could have worked as an Angel foil, representative of the normal-life aspect of Buffy to Angel’s vampire/supernatural aspect, but the writers never explore this and seemed to even try to back away from that later on. They threw all the romantic cliches at the wall to see what sticks, from klutzy “I dropped my schoolbooks, that’s how we met” to cliché lines that had me rolling my eyes. Do you know how bad a romance has to be to make me dislike romantic tropes?

Favorite Episodes: Fear Itself, Hush, Restless

Villain rankings:

Dark Willow, the only villain to be truly sympathetic. While the addiction coding was insensitive and, while unsurprising for its time, aged extremely poorly. That said, Willow’s turn to the dark side after Tara’s death worked well for her character and the story: it was believable and paid off what had been building since Season 1's “Nightmares” episode (Willow’s inferiority complex).

Glory managed to be genuinely terrifying, and humorous/enjoyable too. Her minions and their numerous nicknames for Glorificus were hilarious, as was her intense vanity. Her merging with Ben--a human being who genuinely wanted to be kind and good--added complexity and tragedy to her role.

The First. A really good take on Satan. The seventh season as well as the First’s first appearance in season 3′s “Amends” had kind of blatant Christian symbolism, and so the First being essentially Satan works. Their disguising themselves as dead loved ones and the subtle manipulation they used to alienate people was really disturbing and well done.

The Mayor, who was a terrible person but a truly good father. He provided an interesting contrast to the normal ‘bad dad’ bad guy character, in that he provided Faith exactly what the other characters refused to: he saw the best in her and offered her parental support, while the heroes didn’t and wound up pushing her away.

The Trio, who were villains ahead of their time: whiny fanboy reddit dudebros, basically. The stakes seemed so much lower than fighting Glory, a literal god, the previous season. But that’s why they worked so well for Season 6′s human themes, and were especially disturbing because we all know people like them. I also appreciated the surprisingly sensitive takes on Jonathan and Andrew, who got to redeem themselves, but Warren did not, and I don’t think he should have either.

Angelus + Drusilla. I’m ranking them below the Trio because Angelus was just sooooo different from Angel that it was difficult for me to feel the same way for him. He was still Angel, so it wasn’t possible to enjoy his villainy, but he also wasn’t nearly as sympathetic as Dark Willow, had no redeeming qualities like the Mayor, and wasn’t as disturbingly realistic as the Trio. However, the emotional stakes were excellently executed with him as the Big Bad, in that you were never quite sure how to feel and it just plain hurt. Also, Drusilla was a favorite recurring character. She was sympathetic and yet batsh*t enough to be enjoyable as a villain at the same time.

The Master, who was just completely camp and really worked as an introductory villain. He was scary enough to believe he was a threat, and was funny enough to introduce the series’ humor as well. He was, like Glory, an enjoyable Big Bad.

The Gentlemen, the one-off villains of Season 4′s Hush who were genuinely terrifying. It’s not as if they got a lot of explanation or any backstory, but they didn’t need it.

Caleb, the misogynist priest. Fitting with the First’s Christian symbolism, Caleb serving as a spokesperson of all bad religious beliefs felt appropriate. He was also a good foil to Warren--being actually supernaturally powered instead of a wannabe--and to Tara’s family in being full-out evil. I despised him.

Snyder. Okay Snyder is not a Big Bad like Adam is, but let’s face it: Adam is lame compared to the other villains. But Snyder as a principal? He was so irritating and yet really well used in the series to critique overly strict, hypocritical teachers. Like, we all know teachers like him. I loved to hate him, and his ending was so satisfying.

#buffy the vampire slayer #btvs #spuffy #buffy summers #dawn summers #spike #angel #cordelia chase #btvs giles #willow rosenberg #tillow #tara maclay #anya jenkins #xanya #xander harris #jenny calendar #kendra young #faith lehane #hamliet reviews

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borat123 · 4 years ago

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Analysis Pro NH Anti NS

Naruto Manga Part 2

Part 7

Naruto has transformed into the Six-Tails with the worst emotions he ever felt after witnessing Hinata getting stabbed by Pain. The seal reactivates as he grumbles in anger and is seen looking at Hinata before doing his next move. (Hinata is the ONLY reason he even transformed in the first place, as he didn’t transform when the old frog died in front of his eyes or when he heard that Kakashi died. This is also confirmed in chapter 490).

He takes the seal in his fist and crushes it before he goes to attack Pain. But notice how he isn’t charging right at him, but he moves to the side instead.

He circled away from her body so that she wouldn’t be caught in the attack.

He then looks at her (more clearly now) and is seen getting more enraged and then fires a tailed beast bomb at Pain.

He outright bitch-slapped Sakura when he was only in four tailed mode and with a stronger seal, but here we can see load and clear that Naruto deliberately didn’t attack Hinata’s body, he actually tries to protect her and is also seen getting vividly more angry as he looks at her body. BUT HE HAD SIX TAILS AND NO SEAL AT ALL. Its true love, no one has ever given him this amount of control when transformed let alone six f*cking tails of it. And this brings me to another topic.

This is Naruto’s reaction to seeing Sakura being in danger of death. ”What are we supposed to do?”. If Naruto ”loved” her he wouldn’t hesitate and say what are ”we” supposed to do, if he ”loved” her he would have activated kyuubi’s chakra out off pure anger and had no hesitation in attacking Gaara. But that’s not the case at all. His fear of Gaara is clearly superior over his concern for Sakura. When Gaara threatened to crush Sakura he hesitated and then screamed ”DAMMIT” before attacking Gaara and then being pathetically defeated.

It was SASUKE who had to TELL HIM to rescue her and then do his speech about his precious comrades before he finally decided to fight for real. So another person had to tell him to rescue someone he ”loved” because he was to much of a coward to do it himself. If Sasuke hadn’t been there Naruto would have either ran away abandoning Sakura or he would have been killed along with Sakura. If this doesn’t prove that Naruto only had a pointless, shallow ”crush” on her i dont know what does.

This right here proves that Naruto wouldn’t transform for Sakura, also if he did care about her as much as the NaruSaku’s like to say then why didn’t he activate kyuubi’s chakra like he did when Sasuke was in great danger on the Great Naruto Bridge? He was more angry towards Neji after his provocations since he immediatly charged at him when it concerned Hinata, but here he hesitated and forced himself to attack Gaara. He had a certain protective instinct when it concerned Hinata (which is also confirmed as stated above with the six-tails) but he had absolutely zero instincts at all for Sakura. Also which stabbing made him react with SIX-TAILS and with the worst emotions he ever felt, and which made him barely react at all? The point of this is to debunk claims that Naruto would transform for Sakura.

This panel here also confirms that Naruto only transformed because of Hinata. Shikamaru also says ”that triggered it, huh”. He didn’t seem too suprised, makes you wonder if he saw something going on between them of panel perhaps?

Naruto doesn’t know what to do anymore. He doesn’t know anything, he doesn’t have an answer for anything. He wants an answer on how to face all this hate. The Nine Tailed Demon Fox tells him to destroy everything that causes him suffering. Naruto was about to go on a rampage and destroy everything that made him suffer, well except Hinata who he could avoid hurting even when possesed by a demon full of hate.

Naruto had transformed into eight tails. He almost completly resembeled the Kyuubi now, only missing the fur. Naruto is seen walking towards the seal. Naruto had reached such a level of HATRED that he willingly lets himself go. He hates Pain so much that he’s willing to destroy himself just to kill Pain. Remember how the Uchiha clan are said to be driven by love and how that turns into hate and gives them more power. Pain has just talked about how love leads to hate and suffering. Hinata declared her love to Naruto, and seeing her get stabbed made him sync up with the Nine Tailed Demon Fox, a being filled with immense hatred. Is there really any doubt that he loved her? Just as Hinata was ready to sacrifice herself out of love, Naruto was willing to sacrife himself too.

Because of how the seal is designed, Naruto is rescued from the Fox by his Father and he returns to normal after their talk. Naruto is informed by Katsuyu that he had caused all the destruction around them after he had transformed. Naruto’s first thought and worry is about Hinata (reminding us why he even transformed like that in the first place). He clutches his shirt near his heart while saying ”did i destroy Hinata or any of the other villagers”. Hinata is the only one he lists by name and everyone else is just the ”villagers”. When he finds out that she’s alive he clutches his shirt tighter around his heart. He clearly cares about her a whole lot. I wonder if Naruto would have turned evil if she turned out to be dead. Considering that he was about to transform into a walking ball of hatred after her ”death” it wouldn’t seem to far fetched would it?

Naruto cries tears of relief and thanks God that she’s alive and that she wasn’t hurt in the rampage. Naruto clutching his shirt near the area of his heart shows that she had a special place in his heart. Hinata is also seen simultaneously thinking about him too and also thanking God that he’s alright. Nice pararell Kishi.

That will be all for now, here are the other parts if you wanna read them.

Part 1 Part 2 Part 3 Part 4 Part 5 Part 6

Part 8

#naruhina #pro naruhina #anti narusaku

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redinkofshame · 3 years ago

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1. How many works do you have on AO3?

17! My favorite number.

2. What’s your total AO3 word count?

178,176. Dang!

3. What are your top 5 fics by kudos?

@theDuckPond Solavellan slow burn? smlungst, 62,553 words

New Life papae!Solas with lots of smut, 6606 words

Marigolds in the Hanged Man Varrigold! :D Varric/Marigold, 43,527 words

(3.5 is Dreaming With You (Solas x Reader), but I’m only a partial writer on that one so I’m not counting it.)

Labor and Loss papae!Solas with lots of sad, 4097 words

Kirkwall Karaoke f!Fenhawke drunken shenanigans, 7023 words

Wow I wasn’t expecting my karaoke fic to be on this list! And you guys really like your papae!Solas :D

4. Do you respond to comments, why or why not?

I do, yes, because when I leave comments it gives me anxiety that only seeing them reply fixes and I want to do that for other people. Unfortunately back when I updated every week (lol) I got in the habit of replying to comments when I posted something new... So now when I go a long time without posting a new chapter I leave the comments on read for a long time. Sorry guys!!

5. What’s the fic you’ve written with the angstiest ending?

Honestly? This Nonsense. (Link is to a long series of messages to @keturagh at 3am, no joke.)

But, since then, I’ve figured out an alternative ending that’s much happier. I can’t help it. I want happy endings.

6. What’s the fic you’ve written with the happiest ending?

As per #5, all of them lol. The first one that came to mind was Marigolds, but honestly my soulmate au Vhenaslin feels the fluffiest to me.

And, of course, there’s this one ;)

7. Do you write crossovers? If so what is the craziest one you’ve written?

I haven’t, not yet :( Like, I like the concept but no combination I’ve thought of has given me even the slightest bit of inspiration.

8. Have you ever received hate on a fic?

Yep! I received one that was something like “Congrats! You’ve written the most insufferable OC I’ve ever read!!” and it was fucking hilarious because it was on, like, chapter 6? You read 6 chapters about a character you didn’t like and somehow it’s my fault?? lmao

There was another one I can’t remember, too, and twice people have called Elle a bitch. All of these happened to Elle from Duck Pond, so if that’s not a glowing recommendation~

9. Do you write smut? If so what kind?

ROFL yeah that’s why I’m here. Like literally why I joined the fandom.

Everyone I’ve written is m/f and not particularly kinky but pretty damn explicit. Sometimes I do fade-to-black or gloss over for pacing, but mostly... Yeah. There’s smut. let Solas nut

10. Have you ever had a fic stolen?

Not that I know of. Sure af hope not.

11. Have you ever had a fic translated?

Nope. At least, not that I know of!

12. Have you ever co-written a fic before?

Yes! There was a Solas x Reader post on tumblr that people were reblogging and adding a little more too, and I guess that the foreplay went on too long because @keturagh sent it to me like ‘you’re the expert of getting the P in the V!’ and I’ve never written Reader fic before (or since) but who am I to disappoint!!

Then someone compiled it all and put it on AO3 here. I don’t have a damn clue where my writing begins -- other than I got the P in the V lol. Every once in a while I get a notification of a comment or kudos on it and every SINGLE time I’m like

13. What’s your all-time favorite ship?

Very clearly Solavellan. Though I’m also very into Opal/Nik from the Minimum Wage Magic books by Rachel Aaron. I listened to the audiobook because Patrick Weekes shared their reading list on twitter once and it was on there and I’m a HUGE sucker for juxtaposition. Gets me every time.

I’ve since read uuuhhhh almost everything Rachel Aaron/Bachs has read, and there’s lots of great stuff in there, but MWM is still my favorite series of hers by far. My own personal Couch AU.

14. What’s a WIP that you want to finish but don’t think you ever will?

Uuhhhh.... So many? Or more like I’m scared I never will, in any case. I started drafting a list of my WIPs and it got... long. I can’t think of any I made a deliberate choice to never finish. There’s only 1 fic that I wrote that I didn’t post.

15. What are your writing strengths?

Dialogue, pacing, and sex~

I consider my dialogue my biggest asset as a writer tbh

16. What are your writing weaknesses?

WRITING THE WORDS DOWN and also how do plot?

17. What are your thoughts on writing dialogue in other languages in a fic?

In the fandom there’s a tendency to write lines in elvhen and then put the translation at the end and yeah no it drives me bonkers. It completely destroys the immersion and pacing for no pay off. I’m not going to scroll down to understand your story. I just read it straight and try to figure out what’s going on based on context.

I stick with the well-known canon lines that most of us obsessed fans know by heart. I think sometimes I put a translation in there for newcomers, maybe? One time I used a feature on AO3 where you can hover your mouse over the work and it has like a footnote? that you can use to translate. But I immediately stopped bc #1 I don’t know how that works on mobile and #2 it really doesn’t seem like that’s going to work with screen readers. But otherwise I just say ‘they said in elven’ or have the narrator translate it themself for the reader.

Also, a lot of people use the elvhen translations from that BNF’s project and like... If you WANT him to say ‘I want to paint you with my cum’ then just have the courage to say it straight!

18. What was the first fandom you wrote for?

lmao Harvest Moon. Yeah. After that was Tamora Pierce (modern girl in Tortall yep). Then was like a 15 year gap until I got frustrated at the slow pace of the romance with this egg in this game so I wanted to see if there was smut... (Cue Googling: Is FanFiction.Net still a thing?)

19. What’s your favorite fic you’ve written?

Oh gosh. Hmm. I love all my girls, but Duck Pond was/is a major work of love. Unlike my short works I really had the chance to explore more in a full length fic, you know?

(Marigolds is also full length but it was my first fic and there’s some spots that I’m not too proud of.)

That’s all the questions but I’m adding:

20. What’s a fic you’re proud of that hasn’t gotten much attention?

because I want an excuse to mention how hard I worked on Kirkwall Noir and how I’m surprised how little readership it’s gotten. It’s Varric! It’s Marigold! It’s super short, unlike most my stuff. Maybe that’s why people don’t like it?

Hmm, I also used a AO3 pen name, but it would still show on my page, right?

Thank you for the tags, @roguelioness and @thevikingwoman !! Consider yourself re-tagged so you can answer #20. Also tagging: @blarfkey @broomclosetkink @elveny @bardinhightown @keturagh @luzial

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rwbyconversations · 4 years ago

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RWBY Volume 7 Review

Two weeks out from Volume 8 and I finally cared enough to write this. Go team I guess.

Part of it came down to my feelings on Volume 7. It’s a complicated season that’s made me realize a lot of my overall feelings on RWBY as a series, particularly a lot of the less flattering feelings. Volume 7 is just... frustrating in general, as for all the good that it does have, and it does have a lot of great elements to it, it’s let down by a frustrating script and writing choices that feel distinctly amateurish, especially as the series moves on and gets better and better looking each year. There’s elements and kernals here of great character writing, season-wide arcs that land in a really good way and get me emotionally invested in the characters. But on the other... Ren only has two hundred words the entire season and you can tell!

Volume 7 is a season of dizzying highs, some of the best moments of the entire franchise... and some of the series lows. It’s a season where there’s no production reason for its shortcomings... it just comes down to an awkward script that focuses on the wrong elements far too often. Let’s talk about that. In a very long and drawn out manner.

Thanks to @jamesbranwen, @h-e-m-o-goblin and @retro-riffraff for help with GIFs and consultation on this review.

1) The Good Stuff!

A) Atlas is very pretty!

I cannot stress enough how on a set level, Volume 7 is leaps and bounds above the other seasons in sheer environmental detail and setting dressing. Mantle has a great atmosphere with its New York influences, the smog covered backgrounds and oppressive streets and alleys. Ironwood’s office which is deliberately designed to evoke astronomy themes to represent James’ love for the stars. The cold oppressive atmosphere of the Schnee Manor and how Jacques has begun warping it to glorify him with only lip service paid to Nicholas in public. Penguins!

There’s a lot of great set design work that went into this season and the crew deserve props for it. Genuinely.

B) Ironwood’s arc is the best character arc in the entire franchise

Yeah just wearing my heart on my sleeve there, I fucking love Ironwood and his character arc here in Volume 7 is the best written arc of the show. I simp for the tin man who just wants to do the right thing. This one season of content is better than a lot of the series-wide material being honest. I went back to James’s big volumes in the last month to rewatch the show and it’s interesting to see the early seeds in retrospect for where his arc goes. His need to protect everyone he can and the brutish measures he considers necessary for such an act, his conflicting loyalties towards Ozpin that manifest in both frustration at Oz’s seeming apathy to the growing conflict, but also desperate desire for validation from Ozpin that what’s he doing is the right call. After the Mistral seasons set up James as going off the deep end following Volume 3, having him open the season with an earnest smile, an immediate apology for the team’s arrest and trusting them with his plans for Amity and Salem is a jarring but pleasant surprise. He’s not been slacking off, he’s been trying to keep the world together in the way he thinks is best. He lets his guard down around the heroes and we see the good man underneath, which makes the moments where he raises his walls hurt all the more. While Em and Merc are still probably my favorite characters period, James is absolutely my favorite character in Volume 7 and Top 5 favorite characters series-wide. I’m very eager to see where he goes from here. He also rocks the beard and fixed his T-Rex arms so James came out of the washing machine that is Volume 7′s costume design. He truly is the Best Boi, and I cannot give Jason Rose enough credit for his performance this year. He hit every note of Ironwood’s character perfectly and I wish the fandom would give him more credit for giving James as much life as he does.

Oh, and as the obligatory comment on mlm rep that I am known for getting obsessively weird anon hate over: IronQrow hug nearly had me crying on a convention floor from how goddamn soft it was. Remember conventions? Ah good times.

This just... hits me... ya know? Seeing him lower his guard so much to come in for a hug just shows how isolated he’s let himself become to let himself have this moment of contact... Godamnit James. Also this is the second time after Martial Arcs that two guys hug and I really liked their ship for the following hiatus.

C) Soft Qrow hours are nice

Qrow’s a good guy, he went through a lot of bad stuff in Volume 6 but now he’s on the other side and purged his voice of the demon within. I think Volume 7 was a very good year for Qrow overall. It was great to see him interacting with more characters his age and lowering his own guard. His moments of letting the facade drop around James and Clover especially are great expansion for his character. Jason Liebritch hit the ground running as Qrow and gave him a far more dynamic range than I think Vic could. While I wish Qrow going off alcohol had been given more of a focus as it’s kind of done off-handedly that he’s gone cold turkey and otherwise doesn’t get brought up barring his revulsion at the wine in the Schnee Manor, he overall had a great year. And trust me I’ll get to the fights later, I have a lot more I can say about the bird boi there.

D) I liked the Ace Ops!

I was ambivilent towards the Ace Ops on first watching. They’re kinda underdeveloped in the context of the season at large and most people immediately pegged them as a miniboss squad/fodder for Salem to kill. But in rewatch they do still get to shine, if not as brightly. They’re very enjoyable. Clover especially is just really fun in retrospect, I love cocky fighters in general, and he was infectiously enjoyable (I’ve already covered the FG stuff in the past, not doing it again). Marrow came a close second because... well it’s Marrow, he is The Best Boi. Harriet got points for being a punchgirl which is always cool, I liked how her Semblance was shown and being cocky while being able to back it up is always a win. Elm and Vine are tied for dead last, I like the body diversity Elm introduces with her muscles and Vine... existed... but overall I think with the time they had, they did get to establish themselves well. I wish I could say that about their relationship with Team RWBYORNJ but this is the Nice Section so we’ll leave it there for now.

This is one of the best shots of the entire season. I adore it. God I like the Teryx design.

E) God the villains rocked this year!

I am a villain whore. I own that. I will embrace that monkier. But when they’re as cool as this, I feel validated in this Chilli’s tonight. Watts and Tyrian really make the season shine and don’t have a dud scene all season. They have great chemistry together, shining bright in even the weakest or most mediocre episodes. Watts went from “Oh yeah you exist” tier to “Oh yeah you rule” tier. His vendetta against Ironwood feels so real and pre-established, even though this season is the first time it’s ever come up. Watts just ozzes style in everything he does. The animators bring him to life and make every step, every flick of his twist and even just how he moves his eyes all bleed contempt. He’s such a rat and I love him! Chris Sabat finally gets to stretch his wings after a few years playing Watts as just Evil Scientist Guy, and he makes the most of it.

And Tyrian remains an absolute treat. He didn’t get much in V6 but here he takes center stage with Watts and also gets so much impact because of it. All the little twitches, and tilting of his heads, and dramatic gestures, he’s still just so goddamn cool to watch and we even get a little backstory of him. I know he’s irredeemable. But I just want to watch Tyrian kill people and scream. Like hot damn his line “THE GRIMM SHOULD HAVE DESTROYED OUR ENEMIES, NOT MADE THEM FRIENDS!” is so fucking raw. He’s having fun destablizing a nation with his boyfriend!

“You want more chaos than a Grimm invasion?” “If anyone on Remannt can do it, wouldn’t it be you?” There is no heterosexual explanation for how these two look at each other and yes this is me outing myself as a Nuts and Volts fan.

Watts and Tyrian really do become the absolute highlights of the season alongside James. They have a great dynamic and even during their more slower moments there’s so much care and thought put into their every mannerism. Animators, seriously, great job, I love what you did. And their fights... we’ll get there. But they’re so goddamn good.

Look they even run the same! They’re soulmates!

Honorary mention to Salem by the way. She’s only in two scenes but her presence is felt throughout Ironwood’s arc and his growing fear of her and she damn well delivers when she shows up. That shot of her arriving in person is a killer shot to end on as well.

Oh and I guess Cinder and Neo exist don’t they? Eh, we’ll come back to them.

F) Oscar got a character arc!

Finally! He did it! He got an arc that began, continued and ended all onscreen! It only took four tries!

But yeah Oscar had a really good set of scenes in Volume 7. I like him being the first to confront Ruby on the Ironwood lie, bringing up the hypocrisy after their condemning of Ozpin just last season. I like him having a more forward role (outside of not getting to be part of the celebration in episode 4 what the hell guys), and that he’s the big link between RWBY and Ironwood was a great call. Having Ozpin shelved for one more season so Oscar can take center-stage was an inspired choice. I love his dynamic with Ironwood, and how James closing himself off emotionally gets reflected in how he begins slipping in how he refers to Oscar, starting off as treating him and Oz as separate, ending with him gunning Oscar down as he doesn’t care anymore to differentiate the two.

My big issues with Oscar’s arc are that I’m first of all annoyed at the lack of followup on the Oscar stuff from V6, I’m still waiting for Qrow to apologize for punching Oscar guys! I also really wish Neo’s first attack wasn’t offscreen. CRWBY’s cliffhanger fetish meant I got to break out the Offscreen Pine jokes again. And of course, the Neo hallway punch was a bit bullshit.

G) (Most of) The fights are amazing

There’s no punchline. These fights are great, two of them are in my Top 10 Series Wide fights list and at least the duds aren’t Volume 5 bad.

If you’d told me before Volume 7 that Watts would get an extended firefight with James, I’d have felt that a bit cheap as Watts to me doesn’t feel like a fighter, more a planner who hides behind armies of mechanical soldiers. But damn if they didn’t sell me on Watts “You’ve yeed your last haw” Watts whipping out a Glock just to spite James.

This is another one of my favorite shots in the entire series.

Ironwood vs Watts is potentially my favorite fight in the entire series, and if it’s not, it’s easy Top 3 alongside Yang vs Mercury and Pyrrha vs CRDL/Mercury. It makes great use of Amity in the abandoned gravity biome meant for SSSN vs JNPR, with Ironwood and Watts deftly moving around in a manner that very easily could have been difficult to track with the constantly shifting gravity, but the crew do their best to keep it coherent as to who’s where. The credits showed their dedication also stretched into visual continuity, as James and Arthur’s route throughout the Arena was carefully considered so they’d loop around organically.

This is what I mean when I say the crew went above and beyond to keep things clean.

Ironwood vs Watts could have easily failed to impress, given its lack of choreography on the level the series usually does, but the team’s efforts went instead into showing a situation that lets Watts get a dragged out battle: James wins whenever he closes the distance here, so Arthur’s constantly on the run and being forced to tamper with the arena. Great camerawork, a GOD TIER song from Caleb Hyles that I’m still listening to today, and two characters with a fantastic history coming to blows makes for easily the best fight of the season and a series-wide highlight. Watching it develop from storyboards, to mocap, to animations and the full version is a delight to see. This is what CRWBY can do when everything comes togehter. The orchestra’s all tuned. It’s a goddamn symphony.

THIS is my favorite shot of the season.

Tyrian also gets to shine with his two battles this year. His alley fight with Qrow, Robyn and Clover is short but sweet, the corvid and the scorpion especially trading brutal blows in the cramped space. Qrow goes full Devil May Cry with his style-switching here, Harbinger being swapped between sword, tonfa and gun forms freely alongside Qrow applying The Power of Punching. His 1v1v1 with Clover and Qrow though is the true highlight of the season in terms of choreography. It’s lighting-fast, and has some impeccable shot work. Qrow gets to use his scythe with deliberate nods to the Red Trailer, Clover gets to shut up everyone who doubted his weapon, and Tyrian is just along for the ride and he makes the most of it. It’s frentic, it’s heart-pounding, it’s everything a fight should be.

Honorary mentions as well go to Ace Ops vs the Geist, which is just really fun and has a great backing music choice, the opening battle with Sabre having Ruby’s obligatory ten seconds of fighting that come at the start of every new era of the series, and the Ace Ops vs RWBY fight which has some good choreo in places.

H) Winter and Penny have good chemistry

I don’t have a ton to add here, I just like their dynamic and how they advance each other’s arcs. It’s nice writing. I also like Winter apologizing to Penny when she’s angry at Jacques and takes it out on Penny by accident with the “You wouldn’t understand” line.

Penny as a Maiden is a nice idea, I think her new design is cute. Penny says trans rights.

Those are a lot of my favorite things about Volume 7. It’s a killer season when it’s firing on all cylinders but unfortunately... it often misfires in frustrating ways, many of which are unfortunately due to core emblematic problems with the series that won’t go away.

2) The Bad Stuff

A) The costumes

It’s been a over year. It’s low hanging fruit. I don’t care. Most of them are still not good and they’re ludicrously over-designed.

Blake’s in a fetish suit and I wonder how she even goes to the bathroom. Weiss just looks like an abino Sabre alt, Yang is what a Halloween costume site would describe as “Sexy UPS Driver,” (why does she have a thigh window) Ruby... looks fine, it’s one of her better costumes. Jaune’s hair is silly, Ren’s model has lost some muscle definition and he looks like an e-boy, Nora’s costume really doesn’t fit the Atlas visual design and looks like a rejected Kingdom Hearts costume. Cinder’s is too black and I actually can’t track her in darker scenes because of it (which is kinda bad during... a fight scene... where I need to know where she is...), Neo looks like a Ren Fair cosplayer doing a bit for her OnlyFans, Winter’s is anatomically weird with super skinny arms and legs, and Blake’s hair is a fucking hate crime.

Qrow’s is one I liked at first but in retrospect it does feel like a downgrade. To quote @h-e-m-o-goblin from a Discord chat:

in a show like rwby, where color is such a vital defining aspect of every character, a cohesive colorscheme goes a long way. qrow's original outfit works great in this regard. neutral tones. greys, whites, and blacks, with red accents that pop against the otherwise sparse color. it's good! it's distinctive! it doesn't feel cluttered and it doesn't look like a clown vomited on him! the subdued colors really lend themselves to the grey, cynical energy qrow seems to carry with him. a literal lack of color in his life. the outfit itself feels like something he would wear; a combination of "clearly trying to look cool" and "a little disheveled and laid back." the design breathes, it isn't cluttered. let's contrast this with his vol 7 outfit. a lot of outfits in vol 7 suffer from this problem, but first and foremost it doesn't look like something he would wear. where his old outfit had a casual feel to it, his new look feels like someone dressed him up for a family christmas dinner. it's too... tidy. now of course you could argue this is him "cleaning up his life," but i dont feel like you have to sacrifice his own personal style in order to convey that. if that's really what they were going for, they easily could have just, oh i dont know, given him a cape that isn't tattered???

remember how i said qrow's original outfit really made his colors pop? how less is more when it comes to having a character with a specific color theme? vol 7 butchered that. we suddenly have articles of clothes that are tinted with greenish blue tones, browns, and with gold trim? on TOP of the old colors he already had in his design. it's muddy. it's ugly. the burgundy vest is fine, if they wanted to work more color into his outfit they should have done it that way throughout, shades of grey and different tones of RED. his COLOR. it just feels like they tacked so much on there without a second thought and i really think he deserves better. its just. such a mess.

The ones I did like were Watts’ new coat (I like the puffy hood), Penny’s is fine, the Ace Ops look great, Ironwood’s new outfit is stellar (those last six are great examples of how to do a lot with just primary colors of white and red), Neon’s Jolyne cosplay is cute and Flynt is slick. Otherwise, Volume 7 feels like it’s taken a lot of the wrong lessons from the costume design of the earlier seasons. Less is often more but now it feels like they have a pathological aversion to empty space on the costumes, leading them to feel like... costume vomit for lack of a better word. I didn’t love the Mistral outfits, but their modifications at least were carried by how many of them called back to the Fall of Beacon and emphasized the themes of loss in Volume 4. The new Atlas outfits... don’t have that shared theme. It feels like a hodgepodge of different design influences without trying to find a way to unify them. It’s like putting Baki the Grappler beside My Little Pony, they just fail to mesh.

Also for fuck’s sake already CRWBY just give the girls muscles already.

2) JNR suck and Ren’s arc is glorified character assassination

I don’t love JNR. They’re fine, but the show has arguably not needed them for a while and while I’ve liked them all at different points, it’s never been adoration outside of Ren in Volume 4. I was cool with the idea of them staying in Argus to help cover Mistral after its Huntsmen were wiped out, and Volume 7 has... made me wish they did that.

Jaune is just comic relief, and it kinda blows for later reasons but the big one is that he’s just not very funny. His big role in Volume 7 is basically to crosswalk some kids so we can have a joke scene during the Mantle Battle where Jaune uses his tactical genius to teach people to walk in single file. I feel like at this point Miles is just actively trying to kill Jaune’s fandom out of spite for how badly Jaundice was received. He’s never allowed to be cool or try and redeem himself. His hatedom aren’t going to stop hating Jaune because he gets more comedy guys. They’re going to stop when you write Jaune well. It’s a bummer he got some genuinely great upgrades for his sword and shield and never gets to use them outside of the opening.

Nora exists. She got a surprising amount of focus this season in that she got focus of any kind. I liked her confronting Ironwood over his choking of Mantle because we know she was once the kind of person Ironwood would have been stifling. I like her being the one to realize the loophole in Jinn’s “You can’t” line. I don’t like much else about Nora this year, or at least the Nora the writing team are pushing. She’s not funny like Jaune but Nora just absorbs so much screentime in the first half with her constant shrieking. Sam Ireland has good range but making Nora into Discount Harley Quinn is pushing her out of it. She sounds shrill, making Nora sound like she has no heart outside of the election rally. A shrill voice is one thing. A shrill voice that never lands a single joke? Yeah that character is tainted by association.

And Ren... oh God Ren what happened to you.

The Volume 7 commentary confirmed a suspicion of mine that Ren’s arc was heavily cut down from what was planned. Even watching V7 I could tell his arc was bare-bones at best, and it’s downright character assassination in places. Why is he suddenly so cold to Nora? Why is he now so obsessed with training? Why does he side with Ironwood for all of... one line which is this last between episodes 7 and 11. Ren only has two hundred words of dialoge in Volume 7 and they feel so weird in places. Ren goes from seemingly disliking Nora, to kissing her, to never referencing the kiss, to partaking in the Worst Scene Of The Season, all with no consistency. It’s not even threadbare. Ren’s arc just has no connecting tissue for so much of it! It’s insane how badly Ren was hurt by this, and I shudder to wonder how bad his Volume 8 arc will be because you know that was one of the first plotlines they cut down on when they inevitably overreached again.

I don’t know how they made Renora kissing feel unearned? But by God they found a way with how much of a trainwreck Ren’s writing is in regards to tainting this.

If Ironwood is an example of RWBY doing character writing well, Ren is the mirror image of how badly they can do. JNR really suffered from Volume 7 (also fun fact, Ren has about 200 words of dialogue? Ironwood has 4400). Maybe not to the level of irredeemable dislike? But very close to being on the same tier as Cinder of “Just go away already.” I’m not looking forward to their content in Volume 8.

3) RWBY themselves are poorly handled in Volume 7

It’s unfortunate that the actual title characters of the series are also some of this season’s weaker links. RWBY feel... superfluous to this season in a way they’ve never felt before. It’s baffling how much of the season doesn’t change if you just don’t include them, and apparently Volume 7′s first draft? Was even worse.

The commentary says that many of the RWBY moments were added later in production. Stuff like Ruby and Renora at the rally, Blake and Yang’s talk with Robyn and Ruby and Qrow’s chat were all either added in near the end of the writing or were “low priority” enough that they could have been cut which is... veyr alarming that’s stuff even the main protags have to worry about!

Ruby feels half-baked. I was looking forward to her in V7 after how V6 gave her a more dynamic personality and the focus she got in Brunswick, and having Penny’s return had me interested in seeing Ruby grapple with her emotions about it. She watched Penny die, how would it influence her to see Penny back and OK? Good question, we never get to see it. Ruby’s just OK with Penny’s return, the one time they touch on it Penny immediately glosses over it. Ruby just goes back to her old happy go lucky persona where any and all negative emotions are immediately forced down instead of confronting them and growing from them. I’m getting a little tired of Ruby bottling her grief and being teased about finally getting her snapping like a Twix Bar. We finally got her crying and it lasted all of ten seconds. And it doesn’t help that Ruby’s still getting shafted for fights. Her scythe choreography has no excuse being as flacid as it is now after Qrow vs Clover showed they can do scythe fighting! Why is Ruby being upstaged by (let’s be real) a supporting character! Why is she being limited to ten seconds of good combat then nothing for the rest of the season outside of flimsily swinging it or shooting. It’s disappointing, especially after how good V6 Ruby was.

I swear, Gravity’s not just my favorite episode of the season just because Ruby finally cries in it.

Weiss was kinda just done dirty though. At least Ruby has a good outfit. Weiss confronting her father has been a long standing plot thread for the series, it’s been Weiss’s Big Thing since the White Trailer. And when Jacques finally appears, he’s very... bland. He’s just evil corporate dude who exists less as an obstacle for Weiss and more just a roadblock for the plot through the election. Weiss finally gets a chance to take her father down and work to redeem her family name... but instead of earning said victory and it being treated with the same gravitas and emotional weight as Blake defeating Adam... Weiss has her victory handed to her. And it’s played for comedy by her abusrdly attractive mother.

Listen, I like I Willow Schnee. I think she’s a fascinating character and I like the idea of a person who is aware of the harm they’ve done by accident but is too broken to fix the issues she accidentally left. I love her calling Weiss out on her treatment of Whitley. But she is absolutely a Deus Ex Machina that exists to get Jacques out of the plot as fast as possible. You mean to tell me Hackerman Watts never once made sure Jacques had hidden cameras? Or that none of the staff found Willow’s cameras and reported them under the assumption they were White Fang spies? It’s so... convenient. It’s handing Weiss her victory on an unearned platter. Which sucks. I was really looking forward to Weiss beating Jacques. Instead she just gets given the plot device while JNR engage in the Worst Scene of The Season in that Whitley food stunt.

Me whenever I’m asked to rewatch Cordially Invited

Blake and Yang have much the same problems, in they never separate. I know they’re going to be together. I know CRWBY are making it canon (get it over with already). I still would like Yang and Blake to have individual character scenes. I’d like Blake and Marrow to talk about being a Faunus Huntsman in Atlas (another thing that got cut thanks to Robyn Hill). I want Yang and Ironwood to discuss their PTSD and have Yang thank Ironwood for his trust in her that he commissioned the arm despite Yang attacking Mercury. I want Blake to be well animated in fight scenes so she’s doing more than just jobbing so Yang looks better. I want Yang to stop hogging all the good Team RWBY choeography. I want them to interact with other characters and continue to grow instead of feeling like two halves of one character. And no, making a meta joke of how Blake and Yang don’t talk to other people doesn’t make it OK. It just means you’re self aware about your own faults.

(Also give Yang better merch or quit the favoritism. If you’re gonna milk her, put effort into it beyond crapply overpriced flannel. RT’s merch store is actively making me hate Yang.)

Team RWBY’s biggest contribution to the season is the Ironwood Lie which is... a can of worms. They certainly had a point in withholding some of the bigger truths from James but I feel by Pomp and Cirumstance he’d proven himself truthwrothy enough to warrant being told the truth about Salem. But then when he’s finally told the truth, it’s offscreen’d and the consequence isn’t “Why didn’t you tell me earlier” but “Fucking Ozpin man.” Gravity has it bite them in the ass, but it’s more an accessory to Yang and Blake telling Robyn about the Amity tower. I wish more had been done with the team disagreeing on whether the lie was a good choice or not, maybe have Yang be hardline against it due to her own “No more lies and half truths” policy instead of... having Yang tell more lies and half truths (Commentary confirms she never told Ruby and Weiss about the Robyn stuff BTW). But that’s a wider problem where RWBY aren’t allowed to disagree beyond surface level “I don’t know if this is the right call” dialogue. There’s never a threat of one of them cracking and just spilling the beans to James, everyone just blindly trusts Ruby and Qrow tells the audience “No this is different from when Ozpin lied. Trust us.”

This is the most RWBY get for content in the season finale: Ruby just nuking Cinder with no difficulty after having trouble with the eyes three episodes ago. Kinda lame tbh.

Team RWBY are just disappointing in Volume 7. They’re not given good animation, their story roles are largely insignificant, the impact of their roles on the story is threadbare and... well most of their costumes suck don’t @ me even CRWBY have admitted Blake and Weiss’s haircuts looked bad. It’s a whole barrage of a letdown for the main girls. And it’s really sad that the best scenes of the season... are usually the ones where RWBY are nowhere in sight.

Why the hell didn’t Yang get to keep the sunglasses come on guys. One job.

4) Robyn, the election plot, and the Happy Huntresses

Oh God, Robyn Hill is... not great. I could and likely will write a full meta on her character and how they bungled it but I’ll just be blunt here: I don’t like her design, the colors don’t mesh well, he head’s too small, Christina Vee is sleeping through the role and her weapon’s lame. Introducing her in a scene where she threatens to attack our heroes, and her agents are actively sneaking up on them to do it, is not a great first impression for a hometown hero. And that the commentary thinks she’s meant to be the hero in that scene is... staggering.

RWBY’s greatest threat yet is a wine mom Karen and her Home Owners Association army.

The election plot is less a misfire and more the engine just exploding. There’s so little good content between when it’s introduced and concluded, with it usually being individual scenes that are more good in spite of their connection to the plot (such as Tyrian’s massacre). It drags in pacing, going on for nearly half the season between episodes 5 and 10, and it purely exists as a roadblock to keep RWBY spinning their wheels while Watts and Tyrian keep going with the main plot. I don’t know why CRWBY went for this plot. They could have easily had something else fill the gap that also allowed for a lot of the character beats (such as Marrow and Blake’s talk and Ren’s entire arc) to shine, or at least condensed it to the important elements instead of letting it become bloated. It ends in such an unsatisfying way where Willow just shows up and goes “We have four episode left, here’s the plot device to beat Jacques, get back ot the main plot.” If they wanted to do the election plot, the best route would have been to give Volume 7 more episodes or stretch out its events to two seasons, but neither is realistically possible while RWBY lives off the teat of AT&T.

Jacques and Robyn are just boring. Evil corporate man and a lame adaptation of Robyn Hood who only has fans because of thirst who also like downplaying Robyn making a racist remark at Marrow (to say nothing of that weird subsection of Robyn fans who make her a Fox Faunus who cut her tail off to join Atlas Academy which is... certainly a creative choice especially when Marrow and Neon are punching holes in that angsty BS backstory). They can’t carry this plot and the artifical attempts to make it seem more exciting with the two cliffhaners ending on Mantle under riot or Grimm attack are laughably cut short by the next episode in each case opening the morning after. On binge watch it becomes weirdly funny more than anything and that’s not a good reaction. The dual cliffhangers being cheaply resolved is a short but succint example of V7′s pacing issues, and they almost always loop around to the election plot being too bloated, slow and just boring.

Also the Happy Huntresses are just... lame. I like their Semblances but that’s it. Fiona’s OK because she gets some screentime but May’s just “the surly one” and Joanna doesn’t even get her Semblance or much dialogue (oh wow she really is just a female Sage Ayana isn’t she). Robyn should not have been leading the HH and running for Council. That’s really stupid. And kind of wrong. Having May or Fiona be running instead while Robyn leads the team in relief efforts would have been better and could have split the focus more effeciently instead of leaving May and especially Joanna feelng like roster padding. There’s also some delicious irony in the show trying to frame the HH as the resistance fighting for the people and representing individuality, only for them all to have the same boring outfit and weapons (I think even the exact same model just with different sizes) while the Ace Ops are meant to be the military drones who are “Just following orders,” only for them to be more racially diverse, more diverse body-type-wise, and have more unique weapons. It’s another one of those odd creative dissconnects between what the writers wanted and what the artists/animation teams chose to do.

The election plot is overall toxin for Volume 7, and Robyn in my opinion, has one of the worst introductory scenes of any character in the franchise (and CRWBY have tacitly admitted that V7 had a character they were surprised at how controversial they were, which has to be Robyn). In a year where they were already juggling so much content and characters, adding in this bloated subplot was something I don’t think anyone wanted, especially now that we know we lost so much content on the sacrificial altar for this. It’s a black mark on the season and I don’t really care for the return of the Happy Huntresses or Robyn in Volume 8. None of them are interesting enough to care for outside of meta reasons like “cute.”

Also fuck you Fiona, can’t believe you got a shirt before Ironwood.

5) Cinder and Neo sure exist

To be fair, this is one of Cinder’s best years, easily her best since Volume 3 but that’s more because Cinder in the Mistral era was crap. (And if I wanna be cruel, because Cinder wasn’t in two thirds of the season)Her fans were finally vindicated after years of telling anyone who dunked on Cinder that “nooooo she has a super covert backstory that’s gonna be amazing when it’s revealed! You’ll see!” And well they finally got it. All of one line during a fight about how Cinder “refuses to starve.”

It’s still something so I guess we have to take it. Seriously... how do we still not have Cinder’s backstory.

There’s just not a ton to say about Cinder and Neo in V7 barring I that don’t think they needed to be here. They feel very superfluous and just here to have a big boss fight in Cinder’s case alongside continuing her streak of ending the odd numbered seasons fighting a female side character... which for me became an exercise in tyring to find during Cinder during the damn fight.

And this is why when most people saw Cinder’s V6 outfit they went “It’s gonna be hard to see her in darker environments,” then were vindicated when it became legit difficult to see Cinder in this scene. God if they at least just made the inside of the cape red it’d be easier.

Neo is Neo, which means she makes funny faces and mocks Cinder (I like that), but she doesn’t get a super good fight which uh... we’ll get to. I’m interested to see her finally exploding at Cinder and going for a backstab, but really Neo in V7 was kinda hit hard by the double whammy of the Oscar Hallway Punch and how humiliating ORNJ vs Neo was for ORNJ. Cinder’s definitely had far worse years and after how aimless she was in Mistral this feels like a sep in the right direction, but at this point CRWBY just need to shut up and tell us her deal. It’s been seven years guys. Come on. At least make her interesting if she’s gonna say around. They’ve had worse years, but unfortunately Cinder and Neo’s role in the finale leads into...

6) Some of the fights weren’t good

I wanna be clear, I like most of Volume 7′s fights. It’s just a bummer the worst ones are back and back and make up a chunk of the finale. ORNJ vs Neo is just crap. It’s the worst fight since the Battle of Haven. There’s nothing else I can say, it’s poorly animated, paced, choreographed and written. JNR especially are made to look like complete jokes after they spent all season training, to the point where it looks like V2 Yang could solo V7 JNR after this. Oscar I expect this from because he’s not allowed to have fun stuff onscreen after accidentally stealing the Haven budget for his fight with Hazel, but JNR were just done dirty. There were ways to make the fight work in a way where Neo still won but JNR looked good. They went for the worst possible outcome that just leaves Neo looking like she got fan-wanked and JNR looking like they’re just not allowed to be cool due to Miles’ spite at the Jaune-Self Insert stuff (and that’s not even getting into JNR being forced to run from lame rent a cops who can’t even handle a single Grimm). Cinder vs Winter and Penny isn’t much better, with her dark outfit making it very hard to track the fight because she blends into the background too well. It’s not a great showing for Winter or Penny given their earlier feats but, hey, some random female character had to fight Cinder in this odd numbered volume, carrying on Glynda, Pyrrha and Raven’s tradition. It’s at least better than ORNJ vs Neo, but that’s really not saying anything. At least Cinder’s VA work isn’t too bad this time but this fight commits the cardinal sin of a finale fight: It’s just not super interesting because we know Cinder can’t kill both Winter and Penny and she’s not becoming a Maiden, while Winter’s been too blatantly set up so it has to be Penny.

RWBY vs the Ace Ops also gets a dishonorable mention due to the choreography on display here... and the lack of it for Weiss, Blake and Ruby. Ruby never once swings Crescent Rose the entire fight and is just reduced to getting the tar kicked out of her by Harriet. Weiss barely gets to use her sword and largely just sticks to her summoning and glyphs which makes for a very visually uninteresting fighting style at the best of times. Blake just swings around and gets caught by the bad guys so Yang is motivated to fight stronger. She never dual wields (again) and her best moves are just setting up Yang to do all the hard work while Yang gets to personally KO two of the Ace Ops. There’s a lot that can be said about whether or nor RWBY earn the win, but while the animation team try to sell the Ace Ops landing heavy hits, having only Blake’s Aura even flicker really undercuts the idea from the commentary that this wasn’t meant to be a stomp for RWBY and they had to work together and be in synch to win.

Which is why Yang solos two of the Ace Ops whle Blake plays support, Weiss beats Marrow alone and then kill steals Harriet from Ruby, all while the song playing is an extended diss track from RWBY to the Ace Ops about how badass they are now, and the commentary itself says the Ace Ops are hard carried by Clover’s Semblance (because you gotta love basically saying four POC were only competent because a white guy led them, and then have them lose because said white guy wasn’t around to carry them!). Great job guys, you really sold it.

And talking of Clover, I feel it worth mentioning Qrow vs Clover vs Tyrian. It’s animation wise near perfect, but unfortunately I do feel it would be remiss to not mention that I feel the writing really has to bend over backwards to justify this fight. A lot of it is stuff I would say in that hypothetical Robyn essay, but I feel Robyn, Qrow and Clover all have to become massive idiots for this specific sequence of events to occur, and for Clover especially every retroactive attempt to explain why he prioritized Qrow over Tyrian just sounds more and more desperate. Between the references to MCU Captain America (a person whose entire arc is about learning when it’s OK to defy bad orders) or the attempt in the commentary to say “Oh Clover thought it would be easier to take out Tyrian alone instead of Qrow,” none of them land and just further drive home how much the plot had to stretch and reach to get that moment of Tyrian killing Clover. I like the fight. But I hate the road the show took to get there.

Some of the misc fights are also weak like ORNJ vs FNKI and elements of the Mantle Grimm battle, but those are the big offenders. Otherwise, again, the fights are largely good.

7) The soundtrack wasn’t... great

I mean the vocal songs only, don’t crucify me. Trust Love is just lamer Let’s Just Live/Triumph, Celebrate and Let’s Get Real are so boring I thought they were the same song until the OST dropped, Brand New Day is boringly peppy and Jeff’s vocals are dreadful. I completely forgot Touch the Sky until I was checking the tracklist to make sure I didn’t forget any songs. War has good singers but tries to sell the RWBY-Ace Ops bond as way deeper than it was. The lack of a villain song did really sting though, those are always the highlights.

There are good songs. I really like Fear, I feel it encapsulates the themes of the volume well and serves as a good condemnation of Ironwod’s mentality. Until The End is finally the Ruby song I’ve waited for since Red Like Roses 2 and I enjoy that she got a melancholic song, and Hero is easily, hands down, best track of the record and probably best RWBY track, full stop. Caleb killed it, I loved the second verse, opening opera was strong, guitar riffs were a plenty. Stellar work all around for that one.

The OST has great work from Jeff and Alex as usual, but the Jeff and Casey songs are really starting to lose their appeal. Going for a peppy feel this year didn’t help cover the cracks that are beginning to show with RWBY’s vocal songs (especially Jeff’s vocal range), and while a few standouts remain such as Fear and Hero, they are the slim minority in an otherwise very boring vocal tracklist that barely scrapes above Volume 5 for weakest set yet.

8) It wasn’t as funny as it thought it was

Comedy is subjective but man a lot of these jokes didn’t land. RWBY really needs to realize that does work in traditional 2D does not translate into 3D and just comes off as making official reaction GIFs for your Twitter account. Making characters SUDDENY SCREAM LOUDLY is not good banter. Please stop making Nora into Harley Quinn. Marrow was probably the most consistently funny character but that was it. Also I dunno why CRWBY thought Forrest was funny or what the deal was with that FRWBY crap.

“Honorary” mention to the JNR food scene in Cordially Invited which is genuinely one of the worst scenes in the entire show and I hope whoever animated it has their save files deleted for a game where they were about to beat the final boss. Nothing sums up JNR’s pointlessness in the series more perfectly than this.

C) Conclusion

See what I mean about Volume 7 being frustrating?

It’s weird that I overal think of Volume 7 as a mid-tier volume. There’s so much here I genuinely adore, with some of the best stuff to do with the show coming out of this season (barring lame, overpriced merch that feels like clothing gacha), but simultaneously the whole thing is let down by outside circumstances that unfortunately are ones the show can’t ever really recover from. Put bluntly, Volume 7 is the most technically proficient season of the show with the best lighting, backdrops, (some of the) character models, etc. CRWBY definitely didn’t slack off this year, but the problem isn't with them. It’s with the writing. A wider reaching problem is just that Miles and Kerry can’t really improve to the level that the series now requires. Eddy and Kiersei’s first season could have gone far worse, but it definitely was notable whenever they took over. Volume 7’s core problems are fourfold: The comedy is terrible and none of the jokes really land, the season focuses on the wrong plots and gives them too much effort, too many episodes are spent building up to new plots only for them to be weakly resolved (especially the Mantle Riot/Grimm attacks that are shoved off-screen), and the character bloat strikes hard here and leaves a lot of the cast feeling like dead weight. CRWBY don’t need more writers. They need more editors willing to tell the team what has to go instead of them hemming and hawing themselves on if they if they can include a plotline. The election never should have gotten past its first draft, there was too much already in this season before adding that.

When this is an unironic shot in your series... you’ve got character bloat issues.

At this point, I think JNR need to go. The show had no idea what to do with them throughout the season, leading to Jaune just being comic relief while Ren and Nora became characters I actively dislike. Renora was the easiest ship in the show to land, and they still managed to blow the engines and ram at least three icebergs just to prove that RWBY can’t romance to save its life. Team RWBY themselves are little better, with Ruby’s feelings about Penny’s return being shelved, Weiss’s victory against Jacques feeling un-earned and undercut by comedy, while Yang and Blake are benched for the volume and become a singular entity with how tied at the hip they are. Maria basically yeeted herself out of the show and I didn’t notice, Pietro is just a death flag, and while the Ace Ops had a good intro, it was undercooked by how they had to play the villain role to give RWBY something to do in the final hours. Cinder and Neo didn’t need to be here. Robyn had one of the worst introductions for a character I’ve ever seen, I never enjoyed her moments and it genuinely feels like she only has a fandom because RWBY’s community are in fact that desperate.

On the brighter side, Ironwood’s arc is fucking perfect and Jason Rose deserves all the love. Great fight, great song, great design, love the beard, it was a perfect downfall for Volume 7’s true protagonist. Qrow had a fun volume and I loved his dynamic with Clover (I don’t see the ship stuff but that’s more because I’m an IronQrow main so my blinders were on). Clover was also way cooler than I remembered. His fights stood out but the guy’s just really cool at the end of the day, with Chris doing great work as a VA. Oscar even managed to do stuff this year which was a shock and a half, but a welcome shock and a half. I didn’t mention it, but the Ozpin fear monologue is one of my favorite scenes in the entire show and it and the Ironwood/Oscar confrontation in the vault save the finale. And of course, Watts and Tyrian were the MVPs. I don’t have a bad word about either of them, they fucking nailed their roles and I can’t wait to see them again.

And that’s kind of what I mean when I say Volume 7 flummoxes me. It’s frustrating at times with how it handles seemingly easy tasks and drops the ball. Renora went from “everyone liked that” to wondering how badly Ren’s stuff got butchered for him to be the way he is. RWBY themselves could be almost entirely cut and so little would change, and the fact that the finale basically hinges its entire emotional stakes on Winter, Penny and Oscar is a staggering call. And it really feels like the season was compressed beyond necessity because they decided going in that Volume 7 had to end on Salem’s arrival. There’s two volumes worth of material here, and maybe it would have been best to have broken up these events. Volume 7 does too much in too little time, and RWBY especially suffered from it. But when it works… it’s good. Never close to the highs of Volumes 6 or 3, but there’s genuinely good material here. The fights are mostly getting better with far less missteps than previously, the acting (mostly) continues to improve and it’s obvious that RWBY is a very good looking show at this point. Ironwood’s arc is franchise-wide highs, I loved Clover, and Marrow remains the best boi. But it’s frustrating that despite all the tech advances Volume 7 has made, it still makes such threadbare, rookie writing mistakes in cast management, comedy and character arcs. I’m glad Miles and Kerry finally realized that they needed more writers, but it won’t mean anything if the show just continues to circle the drain on the core mistakes it’s been making since 2013. Volume 7 has good in it. But I can see where it could have been great.

Thanks for reading, stan IronQrow and please get Whitley a therapist.

And for the love of God already make an Ironwood vs Watts shirt!

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arcticdementor · 4 years ago

Link

Recently, a lot of you who told me I was insane when I said that Winnie the flu was all theater and though it existed and was a flu and would probably take “severe flu, no vaccine numbers” it was and is stupid to lock the sick and the healthy in, destroy the economy and make everyone wear a mask, have come back and ask how I knew. And apologized.

Well, attention in the isles, my friends on the right: you are falling for the same king of bullshit diversion. You are being spun like a top. And you’re falling for it and falling in line.

I blame you and I don’t. You didn’t grow up with the constant-pretend-reality of communist psi-ops, and you haven’t learned to smell it.

Over and over again, you condemn Trump and the “rioters.”

NO ONE RIOTED. Not compared to this summer. THERE WERE NO RIOTS. And the protesters were treated with an iron fist and live ammo, btw.

There are videos. I don’t know which ones are still live. They keep removing them. There was no riot. There was a protest. You know, those things that are vital for public health?

Did they go into the Capitol? Yes they did. You know what? It’s a public building. WE PAY FOR THE F*CKING CAPITOL’S UPKEEP.

But, but but…. the congress critters ran. They were scared!

Were they now? WHY? No, seriously, why were they scared, if the people they work for want to watch the deliberations. They’re in our presence all the time. You know the worst thing we do — or used to do — we called them traitors. That was it.

But they vandalized Nancy Pelosi’s office! Oh, my stars and garters? Evil people. Was that before or after she vandalized our constitution and sank a knife in the heart of the republic? Is the evil bitch dangling from a lamppost this morning? No? They were civilized beyond all hope.

But Sarah, you’ll say, this will give them the excuse to avenge themselves on us.

Dear idiots, you’re like the wife with her arm in a sling and both eyes blackened telling her husband “Please don’t say anything to Joe. He’ll be mad.”

In other words, are you out of your ever loving little minds? These people STOLE two elections — it’s now absolutely obvious the nominal right is fine with this. They hope for crumbs from their masters’ tables. The left is more likely to kill them, but never mind — in a row, in full view, and refused to let us have our day in court to show the evidence. Because the American people are now peons with NO STANDING and can be disenfranchised with no punishment. But you’re afraid that largely (truly) peaceful protesters “made them mad?”

Withdrawing the objection to the fraudulent votes due to the riot? That only makes sense in the mind of an abuser. “I stole your thing, and I was going to maybe give it back, but you cried, so now you don’t get it back.” Are you all actually out of your ever loving minds to blame the protesters and Trump for this?

These people are saying “You peasants dared to show up in our presence. We’re now going to take away even the illusion of franchise.” And…. you’re cool with this? It’s the protesters fault?

Get up off the floor. Wipe the blood from your lip. KNOW WHO YOUR ABUSER IS.

And BTW it’s not Trump. Trump thought maybe if congress saw how ad people were, they would play straight. I said before that’s all the protest was about, and that’s all it was. He told people to go home when it was obvious it had failed.

And I hope to G-d someone with access to him reads this and tells him it’s time. Take the family NOW and go to an undisclosed location. As much as it hurts me to say this, because I want him to continue harassing the left, he has to realize this is no longer the sweet land of liberty. This is now a tyrannical third world shithole. Or will be within months from the way our occupiers are behaving. They will find a way to kill him and his whole family, or kill him and turn his family against him. Go Mr. President. G-d bless. You’ve done all that you could. If the so called right in this country will pearl clutch and blame even people who engage in a very mild protest, they deserve what’s to come.

He now promises an orderly transition. I will tell all of you that DEAD is the most orderly of all states. And right now the Republic is effectively dead. There might be a hope for CPR, but I’m not sure there’s the will to apply it. Pence has joined the rats fleeing to the lefty rotten ship. because he hopes that will save his life. Spoiler, it won’t. The left will kill all the right who turns their coat. Because they can’t trust them. Good. They deserve it. I shall eat popcorn.

Do we ever get the republic back? I don’t know. I think the most likely thing is that we fall apart into separate states while around us the world falls into chaos, famine and misery. We’ve been feeding the world for a century. The world had better look to itself now.

What do those of us who’ve sworn an oath to the constitution do? I don’t know. Most are still busily doing a Peter in Pontius Pilates Yard “I was never with him.”

Oh, and there’s talks of rounding up Trump supporters. Of denying them flights and hotels and the ability to engage in commerce.

I suppose that’s the “protesters” fault too? Except that that, like the paper to withdraw objections because of the “protest” were already written. They would have found an excuse.

I don’t want war. But I liked having a homeland. To everyone who, like me, came here as the last place of refuge: I’m sorry. I don’t even know what to tell you. We need to fight this, but even if we do, unless the natural-born citizens see what they’re losing, it’s unlikely we’ll ever get our country back.

This morning, in DC, the police are beating down what remains of protesters. A young woman was murdered in cold blood yesterday.

And our side is pearl clutching and tut tuting, and hoping the abuser won’t get mad. Oh, and talking about 2022, because seeing two elections frauded RIGHT BEFORE THEIR EYES and courts refusing to let anyone see evidence of it is not enough. They need to be stomped on some more before they believe they’ve lost the franchise.

Me? I’ve seen what happens when your votes don’t matter. Elections will continue as a form, possibly for fifty years, if we let this bullshit go on that long. Your next president after Commie laWhorish is Michelle Obama, because the ignorant bitch hasn’t shit on us enough. She felt stupid and inferior at Harvard, and by gum, she’s going to make you grovel to pay for your sins.

But your real masters are now Winnie the Pooh and his merry band of fascists. And we know what they do and how.

I can’t get the order, but we’re about to see: social credit; the banning of conservatives from the internet; branding us as terrorists, just as they’re doing to innocent protesters; show trials; people disappearing; our money confiscated; our houses confiscated; more lock downs, to prevent revolt; more masks to promote alienation; more lies.

When people die in the famine to come, it will be Covid-19 and Trump’s fault and you’ll be required to repeat it publicly.

It wont’ last. These commies are industrial-level STUPID. It won’t last. I give them ten years, maybe, before most of the country is starving, and they have no clue what to do about it. And then it all falls apart, because unlike Venezuelans, we have no one to help and no place to run to.

Or, you know, we can stop pearl clutching and say “Hell no.” and “Molon labe” and stop repeating the lies the left wants written into history.

To lefty idiots: yes, the election was stolen. Because if it had NOT been, the left would have joined the right in demanding the courts take the case, and that it be shown to all as an honest election. Also, to lefty idiots, what the protesters — and all of us at home — want? ANOTHER ELECTION with minimum accountability. I mean, we can’t even clean the roles. There wouldn’t be enough time. We just wanted to make sure each person voted only once, and the votes were counted with full supervision.

Instead, you’re handing off the country to China, via their bought and paid for man, Biden. Yes, I know you heard good things about China. You’ll find out, along with the craven right that the leftist press makes Pravda seem honest. Enjoy the ride.

As for you and me, my friends. We’re going to eat the bread that the devil baked. Save what you can from the ruin. It won’t be much. And don’t let them into your head. NEVER let them into your head. They’re invaders. They’re oppressors. They’re thieves. Treat them as what they are. Do not comply unless you have to, and then engage in malicious compliance.

Keep the republic in your heart. Maybe there are enough of us left that it will rise again. But in the meantime, this is going to hurt and hurt badly. And the longer the restoration of law takes, the higher the butcher’s bill.

Most of you have no idea how bad it will get. Imagine your worst nightmares. Then double them. Prepare for that as best you can. You won’t be able to do much. If you’re lucky they’ll leave you your conscience.

Your country was invaded (even if the invaders were born here, their masters aren’t) and is about to be raped. The least you can do is not cooperate.

#sarah hoyt

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benisasoftboi · 4 years ago

Text

Unorganised thoughts on Trails of Cold Steel I:

So I did like it overall, but I have a lot more criticisms of it than I did of the previous games

Which also means I have way more to say!

Tl;dr - Rean Schwarzer, Estelle Bright you are not

Also, spoiler warning for both this game and the previous ones

So... the pacing in this was weird. Like I loved all the field study segments, they were SO fun, but there’s also the Trista segments between which very boring and felt like filler

I think it’s meant to make the ending feel more important, since you’re defending the school, but it kind of backfired because being forced to run around Thors (which is not a very interestingly designed location, by the way) over and over and over again actually made me kind of resent it. To a point where I low key wanted the ILF to destroy the school. Oops

Like I cared about Liberl and Crossbell because they were interesting, and big, so I never really got tired of them. I got tired of Trista very quickly

Also having everyone in school uniform made their designs less interesting :/

The other places were all super interesting, though! I think if I had to pick a favourite I’d say Bareahard, but they’re all contenders really

Oh also the other issue with the structure was that everyone had to be mad at someone at all times, and it was almost comical how systematic it was - Rean and Alisa don’t get on, that’s resolved, now let’s focus on how Machias and Jusis don’t get on, that’s resolved, IMMEDIATELY we’ll replace that with Fie and Laura, then the moment that’s resolved it’s Jusis and Milliam...

Like, be a little less formulaic in your character conflict

Anyway, characters!

I do not like the thing where the character’s name appears in front of them before they say it. It was irritating

Elliot: The one I would have been in love with when I was eleven. Elliot is good and sweet and did nothing wrong ever. Holy Song is the most useful craft in the whole goddamn game. He also has easily the best S-Craft in a game where most of the S-Crafts are *decidedly* lackluster, aesthetically speaking. I like Elliot. His friendship with Gaius is also very nice

Jusis: The one I would have been in love with when I was fourteen. So, the moment I saw Jusis, my immediate first thought was ‘oh, this guy is one half of a gay ship’. I had no clue who the other guy was going to be, but I knew there was absolutely no way that Anime Draco Malfoy wasn’t getting shipped with a man.

And then Machias opened his mouth, and... every franchise, no matter what, has its gay OTP (its homoTP, if you will) - that one, usually M/M, but sometimes F/F, ship that’s practically got a whole side-fandom just for itself. Up until now, I assumed Trails’ was going to be Olivier/Mueller - but while I haven’t checked, because I don’t want spoilers, I will be shocked if these guys aren’t actually it. They have every making - opposites attract, enemies to lovers, they sing together, other characters make jokes about it...

Like, this was deliberate, surely? Surely?

yes i ship it but like, against my will and resentfully and semi-ironically, because I hate myself for instinctively taking the bait >:(

Something something ‘Turbo-Gehenna’ joke

Anyway, I like Jusis. I think he’s a fun character, easily the most interesting of the boys, and I really enjoyed his development. He has a cute smile

I also thought he had the best voice acting in Class VII, so I looked it up and Ben Diskin! I love Ben Diskin! I couldn’t even tell, I had no idea his range was that great, wow!

I did think it was extremely weird that if you invite him to the Stella Garten, he says he wants to date a woman who is ‘like his mother’. Okay, Jusis.

Machias: The one I would have been in love with when I was seventeen. You ever meet someone who’s like... always right, really, but in such an obnoxious way that you wish they weren’t. Machias. He would have been way more interesting if he was just a really politically minded teen who needed to learn tact, rather than yet another member of the Trails Dead Family Member Club (the fact that it was revealed right after Elliot’s Dead Family Member Club story did not help). Still, he really did grow on me in the end. He’s a little dork

Gaius: The one I would be in love with now, if not for the fact that he’s only seventeen and thus a little baby in my eyes. I do love his design the most. Can he say even one line that’s not about the wind, though? I also like that he’s one of very few characters in this franchise to not have a tragic backstory, was very refreshing.

I can only assume, therefore, that Nord will undergo ethnic cleansing in Cold Steel II

Crow: oh boy Crow hahahahahaha. I don’t know how I feel now. Uhhhh... what did ‘the things I do for love mean’? I am curious

Alisa: I don’t like tsunderes much, and I found her ‘being mad at Rean for something that was absolutely not his fault’ thing very, very stupid and it did not endear me to her at all (also, like, if you had to have that - a better way would have been for him to accidentally injure her, rather than... ugh, look, I am a woman with large breasts - accidents really do happen irl. There’s no point in getting that mad about it. There just isn’t. I have no patience for this kind of plot). It also bothered me how possessive of Rean she got, I swear I picked Towa over her half out of spite. I don’t hate her, though, to be clear - I loved her plot with her mother and that scene in Nord. And her relationship with Ferris! She’s great when she’s not talking about Rean, basically

I don’t buy her as Rean’s love interest, honestly. Rean consistently shows more attraction to Emma, and has more (mandatory/canon) moments with Towa. It only felt one-sided to me

Laura: I like Laura a lot. I don’t really have anything to say about her, just that she was consistently good, and I appreciated her maturity and self awareness, I love her and Rean being sword bros, she’s just great

Fie: I think Fie was designed to appeal to exactly me personally. Tiny snarky badass girl with a great design? That’s everything I love and aspire to be! Best girl in the game (didn’t date her though because she’s fifteen and I refuse to date anyone who is younger than the protagonist when I play games set in high schools. Feels weird enough dating teens the same age as my character. Also she had 0 romantic chemistry with Rean)

Millium: She’s fine, good voice acting, want to know more about Lammy, no strong feelings

Towa: I wasn’t going to date anyone, but changed my mind because I really liked Towa... and then I looked at her, and saw a tiny girl with long, light brown hair and soft voice, and realised I just want to date myself

I checked, and according to Playstation Trophies, at least, she’s the least picked girl? The only characters picked less than her are the non-Crow boys (Machias is the least popular, which... I feel a little mean for finding hilarious lol)

Emma: I like Emma herself just fine. Don’t get me wrong. But she’s infuriating as a mystery character, because she’s the worst kind of mystery - the kind that relies on the other characters to NEVER AT ANY POINT ASK THE QUESTIONS THAT A NORMAL HUMAN WOULD ASK

Estelle would have asked

Rean has multiple opportunities to ask her to explain herself, and he doesn’t! One time, she straight up ASKS HIM TO ASK, and he doesn’t! That’s not mysterious anymore! That’s just incredibly annoying!

Lloyd would have asked

And no one else asks either! Some of them, fine - I can understand say, Elliot or Gaius or Millium - but Jusis!? Jusis, who has been there for pretty much all of her mysterious vague magic, and has repeatedly shown himself to be willing to be kind of rude, and may not be that interested in other people but certainly isn’t stupid - while they’re in the Schoolhouse Depths, Jusis isn’t going to grab Emma by the shoulders and demand she explain what she knows? He’s just going to go with it as she refuses to elaborate on things?

Really?

Kevin would have - actually, no, Kevin would have already known because Kevin Knows All, but he would have told everyone else, so same outcome

Rean: And that brings me to Rean. Rean... is a JRPG Protagonist. He is good, and noble, and he gives Inspiring Speeches, and he can date all the girls (which means we don’t really get any interesting opposite-gender friendships, because oh no, a threat to the harem!), and he is so, so boring. My god

Hey remember how I praised Sky for how great it was to have Estelle be an actual person with flaws and personality? No you don’t, no one’s reading all of these, but yeah - Estelle is just as colourful and full of life as the rest of Sky, while Rean is the least interesting character in Cold Steel no contest

Oh he has a super powered dark side, oh, well, that’s a game changer, never seen that before except in every 2000s shounen anime. Also we never actually learn the Super Rean rules, so that dramatic moment where he’s thinking about transforming to fight Scarlet isn’t actually that dramatic because I had never realised it could kill him until he said so in that moment

Oh except he’s also an awakener and can summon a Persona giant mecha suit! Because he’s the most special boy to be very special? I have never seen that in a JRPG before except in all of them

In Sky, Estelle wasn’t special. Except she was, but it wasn’t because she had super awesome secret awesome powers and all the boys liked her best. It was because she was flawed, but always trying, and because she was incredibly brave and optimistic no matter what, and because she was the kind of person who told a god summoning evil mastermind ‘lol no’ and then beat him with a stick, and because she really, believably loved her friends. She loved them. And they loved her. Not the player she was the avatar of. Estelle herself

Estelle Bright has ruined me for all other JRPG protagonists, is what I’m saying

Oh also Rean has that whole speech about how they can’t cancel the festival to protect people from an unknown threat, that’s not fair to meeeeee, and as someone who has lived through the year 2020 - go to Gehenna, Rean

Olivier is back!!! And yeah I’m going to keep calling him that, that’s who I know him as, and also Olivert is a silly name

Even more importantly, Mueller is back!!! And he and Olivier still have the best comedy dynamic in the series, joyous day! THAT is love and peace, baby!

Sara really, really grew on me :) I want to see her interact with Schera so bad

I didn’t really like Sharon up until I worked out OH SHE’S OUROBOROS, because yessssss more of them! Also, yessss, guessed it!

Angie... predatory lesbian stereotype aside, Angie’s super interesting and I want to see more of her yes please

George is like, the most inoffensive character I’ve ever seen, but apparently he has haters? What!?

What is with these games and naming characters/things French words, and then PRONOUNCING THEM WRONG

I do not care that the official pronunciation is ‘Blue Blanc’. I will continue to pronounce it ‘Bleu Blanc’. Because that’s what you guys actually wrote, Christ alive

I have a French GCSE and I will use it for something, goddamnit

I took Jusis on the bike trip and he looked so adorably goofy in the little sidecar. Best moment of the whole damn game for me

I’m trying to imagine what it would be like to have played this game first, as I know a lot of people did. Specifically in regards to Olivier (or Olivert, I guess)

Like... imagine meeting this guy for the first time as a fairly serious leader of an important faction, participating in vital political machinations. Imagine meeting him here and not knowing about the Grand Chardonnay incident. Imagine not knowing about that time he stopped a riot by riding up in a boat and singing. Imagine not knowing he has a rivalry of aesthetics with a terrorist. Imagine not knowing what I was referring to when I said ‘that’s love and peace, baby’ just now

Incomprehensible

Side note, if you had told me, on one of those warm August days when I was first playing Sky FC, that the silly man in the white coat was actually one of the most important characters in the franchise, I would not have believed you for a second

But on that subject, I was also trying to work out who a first time player would be siding with... like, I’ve played Sky and experienced Zero (currently working way through Azure as well), which means that my immediate reaction to all of Erebonia’s politics was ‘trust whatever Olivier and the bracers say, don’t trust anyone else’. But someone starting with Cold Steel has no reason to have loyalties to those factions, so I’m curious

Side note, having played the previous games also massively impacted how I viewed the ILF - I’m very confident that I would have just taken them being evil for granted if I’d played this first, but considering they hate Osbourne... and Olivier does not like Osbourne... that kind of made me a lot more suspicious of who I was really meant to side with

I really liked most of the NPCs in this. I especially became weirdly fond of Beryl

However, I do now also have characters I actively dislike, a series first! Gwyn (creepy old man), Neithardt (sexist jerk, kick his arse Beatrix), and Dorothee (...could write a whole essay on the myriad reasons I do not like that particular archetype) get in the bin

Good god, every interaction between Rean, Emma and Dorothee made me want to smack the lot of them with my controller, Dorothee for being an absolute creep, and Rean and Emma for overcorrecting into low key homophobia (seriously Rean, you’re friends with a lesbian, the idea of the existence of gay men should not shock you this much)

Re: Elise... I heard the words ‘non-blood related younger sister’ and my eyes rolled so far back in my head I was afraid they wouldn’t come back down

Took me a while to figure out, but ideal team is Elliot, Jusis, Machias, with Laura and Fie as back-up

I would like to find whoever’s idea it was to make the S-Crafts unlock as the game progresses rather than just be there when you get the character, and shake them until they apologise. Have them evolve with the story, sure, but not having them at all wrecks the battle flow so much. Emma was unusable to me until chapter-goddamn-FIVE

I loved the Annabelle subplot, and the punchline that the person her family wanted to marry her off to was a Lakelord... I actually yelled

The concert was so hyped, and then there weren’t even any real songs (aside from the re-use of the end credit song from Sky, which made me very happy. And Olivier singing along made me laugh out loud)

TOVAL IS TOBY!?!?!

Man I’m so mad at myself for not reading Carnelia in/after FC (read it in 3rd), but still - what a reveal!

AND WHAT AN ENDING

I mean. At first

They did such a good job building the tension, and then-

The Crow twist, my GOD, when I tell you I freaked the fuck out... I was totally convinced that it was Claire. Or possibly Campanella on stilts. I completely overlooked that there was another major character with a C name, and honestly I’m glad I did because I have not been this shocked by a reveal in a while

And then I stopped taking it seriously when I saw the robots with heelys

It was all.. we had a very final boss-y final boss, right? Excellent final boss fight, very fun, very satisfying. And then the game just... kept going. I accidentally stayed up until 4 AM because I thought I was at the end and it just didn’t stop

And then it did. Very, very abruptly

(no seriously I was making some snarky comment about how goofy the flying robot suits look and then the game just ENDED, what)

(also worst *actual* final boss I’ve ever seen. the fact that they managed to make a battle between two giant robots, one of which was controlled by a traitorous former friend, feel like an anticlimax... that was impressive, honestly)

So Cold Steel I is... easily my least favourite Trails game so far. Again, I did like it, but like I say... Rean isn’t Estelle Bright. And that’s pretty much my main problem, in the end

Sorry, Class VII

OH MY GOD they never explained why it’s Class VII and not Class VI! My theory is that it’s either something about the Sept-Terrions, or the Seventh Division, since Olivier’s specifically connected to them. Or maybe both

Well - I’m excited to find out!

#long post #trails series #trails of cold steel #trails of cold steel 1 #kiseki series #erebonia arc

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mbti-notes · 5 years ago

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(1/8) Yayy, I love Fleabag and I love your blog and everything you write, so I hope you're up for a discussion of your typings (and I hope all the asks come through). Agree about Fleabag, the Godmother and Harry's (his frequent breakups with Fleabag seemed INFJ door slams, but his endgame points to Si) typings. Boo and Fleabag seemed to have been the sort of BFFs who matched because their personalities were quite similar... What made you conclude ESFP rather than ENFP? Same goes for Martin...

Boo’s interests are all concrete, her thinking is always immediate and short-term, Ni grip was apparent in her hasty death.

Same goes for Martin. While I see signs of tertiary Fe in his deliberate manipulation of Claire and pleasure at bringing Fleabag down, and also the overall recklessness of unhealthy EPs, I couldn’t be sure whether he was Se or Ne dom.

I see no evidence of dominant Ne nor inferior Si but many vulgarities and desires that are indicative of unhealthy Se.

What about the Bank Manager? My memory of series one is fuzzy, but he makes an effort to work things out with Fleabag (and women in general) even if he judges too quickly, which could point at aux/tert Te-Fi, I guess.

He is honest and straightforward, no pretension, but severely limited in his perspective. His moral reasoning ability is rather rudimentary, which makes F unlikely. His life is in a deep rut and he is drawn to Fleabag because she is his opposite and helps spark his lower function development. She comes to symbolize the key to understanding his failures and frustrations (both in terms of how he treats women and his lack of function development), therefore, helping her succeed is also helping himself find his own way. He’s reconciling who he is by reckoning with his past mistakes through Fleabag.

The Father clearly struggles with expressing his feelings. He wants to communicate better with Fleabag, but he understands and prefers Claire (a T), so probably IxTx, perhaps Ti-Fe if we consider the main issues presented in the story plus the fact that he quickly fell for Godmother, a Fe dom? I’d like to know your reasoning for him. Anyway, I’d typed Claire and the Priest as ISTJ and ENFJ respectively, and these ones I was sure to have gotten right. xSTJ was clear for Claire, and episode 203 was the one that cemented her as ISTJ for me. She is constantly anxious and full of routines and rituals and micromanages everything, from actions to looks to even jokes, implying a lot of overthinking (I); she clashes with Fleabag because she’s insecure about the possibility of not being as interesting and funny as Fleabag (tertiary Fi). Also, she tries to pretend that she enjoyed the night, that her marriage is going well and that she thinks Fleabag kissed Martin rather than the opposite because of Si’s need to maintain security and stability and not lose what she’s conquered. By accepting her individuality, her feelings and the possibility of something better for herself, she takes action to improve her life, which implied much needed extraverted development. Also, most ESTJs I’ve met, despite being control freaks privately, are more adaptable and relaxed as well, especially in public (higher Te-Ne).

The show centers around Fleabag’s dysfunction. In Si grip, Fleabag tries to pinpoint Boo’s death (and her own hand in causing it) as the “point of origin” but her problems go far deeper than that, all the way back to her family relationships. Everyone in the family is equally messed up despite appearances. The show doesn’t go very far into the historical causes of their collective dysfunction, but it does a good job of illustrating the dysfunctional patterns as they exist in the present. The characters are largely products of old family patterns, therefore, it’s hard to understand each member individually without the context of their collective family dynamic.

A very common family dynamic involves projecting all of the family’s history of dysfunction onto the “weakest link”, aka, the black sheep. The black sheep is usually “chosen” according to their so-called inferiority for failing to live up to the family’s unspoken values, then they are routinely criticized and shamed for being something that is perceived as contrary to the family’s survival and well-being. Over time, this dynamic places an unspoken duty/expectation onto the black sheep, namely that they should always be “the one that ruins everything” whenever the family requires a scapegoat to deflect responsibility for dysfunctional behavior. Fleabag is obviously the black sheep, so everyone uses her as the punchline (for easing tension), the punching bag (for displacing their frustration), and the punch down (for a cheap win during power struggles).

As a defense mechanism, Fleabag believes that she is actually the superior member of the family because she’s “clever” enough to see through people’s fakery or hypocrisy. Despite the concrete proof of her own life being a total mess, she likes to think of herself as being more self-aware than others, i.e., she implicitly blames her life failures on the fact that she can’t fake it or lie to herself like everyone else. However, she doesn’t realize that playing the black sheep role is her form of self-deception. She is deeply caught up in a logical contradiction of knowing she is less than but also believing herself better than, and we see this over and over again in her asides to the audience. By exercising crude power in exposing other people’s fakery, she doesn’t have to look at her own and expose herself, and this plays perfectly into the family pattern that always ends up ricocheting back onto her. Whenever she exposes anything resembling the truth of the family’s dysfunction, regardless of whether she does it kindly or maliciously, she is roundly blamed for “acting out”, being “cruel”, “screwing up”, “ruining everything”, etc etc. The family immediately comes together to activate the scapegoating pattern and, in the end, nothing changes and the pattern repeats the next time they get together. Her twisted way of “caring” for her family is to play the black sheep, and their twisted way of “bonding” is to collectively reinforce their status as not the black sheep.

When people treat you like a black sheep long enough, you believe it and it becomes your identity, and playing this role so well leads her to blow up all of her relationships outside of the family. In accumulating many failed relationships, it’s very easy to slide into settling for less or settling for what you think you deserve, and she has been trained over a lifetime to feel less than deserving. As a defense mechanism, she’s romantically attracted to people who aren’t capable of knowing who she really is, which in turn gives her justification for blowing up each relationship as they are always shallow and meaningless anyway. But this automatic and destructive pattern hits rock bottom when she destroys the only person who’s managed to really know her. She then gradually becomes more aware that she’s repeating unconscious conditioning and could perhaps choose otherwise, but ingrained patterns are hard to change without help and guidance, which eventually invites the influence of the priest.

You might think that their father bears the brunt of the blame for the family being so dysfunctional, but he has plenty of his own unresolved issues that make him more like a child than a parent. The show does not offer any explanation for him but everyone has a history. It seems that he has always been emotionally absent and socially inept in that he allowed their mother to do all of the parenting and caregiving. He is not aggressive, obsessive, or controlling as you would expect for unhealthy TJs, rather, he is detached, distant, avoidant, and indifferent. When you talk to him face-to-face, there is some natural warmth there, but once you are out of his sight, you are out of his mind. You know that he loves you in his way, you know that he tries to empathize, but you also know that he utterly fails to understand anything about you no matter how hard either side tries to bridge the gap. It’s hard to fault him for what is clearly a “disability”? Because of his ineptitude, he traps himself in a codependent relationship with his shadow opposite type, a narcissistic person who calls all the shots in the relationship so that he never has to lift a finger, i.e., he never ever has to bear moral responsibility for anything, and taken to an absurd conclusion, he lives in a pitiful state of learned helplessness. You never have to feel bad if you never do anything, right? Wrong, he is still guilty of sins of omission, and for that he’s never able to truly be at ease no matter what he does to shed away every difficulty. Ideally, a good stepmom takes care of the step-kids, but he was not lucky enough to snag one, so he must accede to the bad stepmom’s judgment or else, heaven forbid, he loses his easy life by having to take responsibility for the girls on his own.

Unhealthy TPs need uptight Js to help them keep life in order, but they often prefer Ps for their amusing company. The father does not “prefer” Claire for what/who she is, rather, he merely appreciates that she doesn’t make any trouble for him, which he wants to believe absolves him of blame. He can say, “See, I have one good daughter, so it’s not my fault that the other one is bad”. There are many parallels between Claire and her father in how they approach relationships very passively and helplessly. Deep down, his heart actually prefers Fleabag for the fact that she more closely resembles her mother and the fact that she is braver than him and challenges him (to be better). He wishes to have a better relationship with her, similar to what he must’ve had with her mother, but he’s unfortunately incapable of containing the dysfunction that bad parenting and unresolved grief has wrought upon her.

You say that Claire should be more flexible if tertiary Ne, but why would you expect her to have any healthy functions? She clearly suffers inferior grip quite often and thus cannot use any of her functions optimally. Every SJ with unhealthy Si-Ne uses micromanagement of routines/rituals as a crutch, so this is true for both dominant and auxiliary Si - your claim here only proves SJ. She’s just as fucked up as Fleabag is, only she is better at repressing her feelings, and for this alone, ISTJ is very unlikely. ISTJs are introverts and they prefer to give up and be at peace rather than double and triple down on stupid behavior in the manner that Claire often does. Her main problem in life is that everything she does to “manage” situations results in her betraying herself in some way, which is strongly indicative of infantile Fi. I disagree that stubbornness is her fatal flaw ala Si-Fi loop; if that were the case, she’d be more than happy to give up everything to Fi loop and disappear into the background. She would also never ever go near Fleabag nor trust her with anything due to the fact that she has already encountered countless past experiences of Fleabag blowing up situations in awful and unpredictable ways. ISTJs are at their least forgiving and never forget whenever it comes to delegating important tasks.

I argue that what gets Claire truly upset is not being unprepared for “all negative possibilities in the abstract” but rather the possibility of LOSING FACE, i.e., being publicly humiliated and exposed as the uncool simpering hypocrite that she is, which is indicative of deep-seated fear of Fi (she envies Fleabag for her “cool” factor for this reason). Unhealthy Te doms, falling apart internally, are still capable of maintaining functionality in external life far longer than other types. She suffers from serious grip problems but still manages to perform her duties at home and at work, which simply wouldn’t be possible for Ne grip. With Fi grip, she instantly switches to very ugly self-pity and irrationally self-protective behavior when threatened by anything. Her instinct upon feeling the vulnerability of exposure is to go on and on and on about how “successful” she is, which usually includes a few rounds of punching down at everyone in an attempt to disown her bad decision making. ISTJs are rarely capable of bullshitting themselves to that extreme; they are more likely to react with humility and even resignation when presented with incontrovertible proof of their failures (see: Bank Manager).

Claire was probably expected to be “the responsible one” (aka elder/caregiver sibling archetype) because there was no one else to take responsibility. However, at this point in her life, she has achieved enough career success to be independent from the family. The fact that she can’t help herself from enacting her old role speaks to the lack of self-insight that is characteristic of inferior Fi, i.e., as much as she complains about hating the pressures and headaches of being “the responsible one”, she unconsciously LOVES it because it grants her a superior position in the family. She’s not willing to give up the pain because she’s not willing to give up the payoff, and this internal love-hate contradiction is what makes her relationship with Fleabag dysfunctional despite the love and affection they have for each other. I don’t think ISTJs are able to bear such obvious internal contradiction and still manage to claim integrity. ISTJs find it much more painful, if not impossible, to pretend and posture for the sake of appearances, because they are supremely stubborn people when it comes to preserving their subjective sense of integrity. By contrast, inferior Fi makes it very easy to ignore subjective integrity and choose destructive methods of obtaining feelings of power and superiority, hence she ends up betraying her own well-being all the time.

As for the Priest, we both agree on him being a Fe dom. What made me choose Ni rather than Si is that he admitted to have been quite a different person in the past by alluding to his many sexual experiences, probably a hint of Se as well. But then he met God and everything took a 180 for him (N, not S), implying that he was uncomfortably adrift for a while and needed a sense of meaning and a clear vision of his path ahead to feel whole (Ni). Also, PWB has said that Fleabag was drawn to the Priest because he has an established sense of purpose, which she’s been looking for, which highlights their P vs J and Ne vs Ni differences. You could argue that he was drawn to her because of tertiary Ne, but I don’t see signs of Si’s typical grounded outlook (he uses a lot of abstractions to explain his ideas) or typical adherence to traditions (the path to his faith wasn’t primarily through this motivation as it happens to many) or typical narrow-mindedness (quite the opposite, he used to be quite open to experiences due to Fe+Se). Oh, and I forgot to mention, the Priest can read and understand Fleabag so well that he even gets to enter her internal world and listen to her personal thoughts. To be able to understand people with this level of depth is, of course, more natural for xNFJs rather than xSFJs, who help people on a more practical level (Fe+Ni v Fe+Si).

I think your understanding of Si is still quite stereotypical. ESFJs have a common pattern of using Ne to “find themselves” only to end up lost because what they’re really doing is Ne loop. ESFJs tend to grow up feeling very pressured to be rule abiders and it is common for them to go through a rebellious stage a bit later in life compared to other types, once the pressure finally reaches a breaking point. After swinging from the painful oppression of “rule observant” behavior in youth to the painful failures of “rule breaking” behavior in young adulthood, they eventually boomerang back to old touchstones, i.e., they ground themselves by rediscovering comfort in the known. IIRC, the priest felt lost and eventually revisited religion for guidance, he made the beliefs his own rather than blindly following dogma, and he chose to commit his life to doing good because HE genuinely wanted to, not because family/society told him to. A healthy ESFJ establishes a stronger sense of self once they reconcile with the past and make “rule following” more palatable by turning it into a personal choice (rather than feeling obligated to constantly self-sacrifice). I disagree that he “transformed” from one person into a completely different one, I think it’s more accurate to say that he had no idea who he was and got increasingly lost until he discovered himself by looking backward and making sense of his past experience.

Religion is an abstract concept, there’s no avoiding abstract discussions about religious beliefs when you’re debating a non-believer, especially when that non-believer is Ne dom. Ne is tertiary and people often use tertiary functions for relief, therefore, ESFJs tend to enjoy abstract discussions, especially of the Ne variety that is full of humor and playfulness, exactly like the kind that he gets with Fleabag. I dare you to try joking around with a “true believer” ENFJ. Their beliefs are deadly serious to them, so they show far less patience for sacrilegious play (unless, for some reason, they have developed an irrational fear of being criticized as dogmatic and pretend to be open-minded). Also, why would an *N*FJ be shocked and alarmed or seem resistant to using intuition to “read” people? Why would their intuition seem so painfully accidental? NFJs generally LIKE using intuition and do it naturally as part of who they are, they embrace it and feel more confident the more they are in touch with it.

Ns tend to speak in abstractions but not everyone who speaks in abstractions is N, similarly, every NJ needs a sense of purpose but not everyone who seeks a purpose is NJ -> beware this logical fallacy: “every cat has four legs but not every four-legged creature is a cat”. NJs need a purpose for materializing their personal potential, SJs seek a purpose for the sake of grounding themselves in something unshakable within - you point out the behavior without grasping the true motivation. When ESFJs develop Si well, they recognize that what makes them happy is to be of service, to be a positive contributor to their community, to be a reliable source of help and comfort to those in need. He is not a charismatic and boastful preacher of the ENFJ sort, rather, he sees himself as a humble servant who uses reliable traditional beliefs to help ground people who feel lost in hectic modern life, using his own past experience as the starting point. The fact that he has the strength to end the relationship with Fleabag before it becomes negative and destructive is a testament to Si steadfastness and how strongly the rules matter to him (Ns are very masterful at rationalizing that the rules don’t apply to them, and that’s often how they end up in bad places). Why would you expect him to display all sorts of negative signs of Si if he is meant to be the positive moral guidance for the show? And wouldn’t it make sense for him to use his well-developed Si to reveal to Fleabag the true extent of her dysfunctional Si? Would an ENFJ instinctively know better than an ESFJ how to remedy Si specific identity dysfunction?

Can you please allow us to submit things to you? In the case of long asks like mine, it helps to avoid any part not getting sent.

I have considered this before but I’m not sure I want to do that.

#fleabag #fiction #fictional depictions #enfp #estj #esfj #ask

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